Thanks Bruce.

Soft wrapping is off… so I don’t know if this can be fixed other than manually 
adding a space after each paragraph.

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Thus while the process of conventional description and organization of 
experience in terms
mutually coherent to members of a community is by no means to be eliminated 
from the human
repertoire of capacities, being necessary for human life, the doctrine of 
consciousness recommends
that it be recognized as mental representation and that the ability to 
transcend attachment to mental
constructions be cultivated. This is said to allow the development not only of 
extrasensory
perceptions, but of expanded and enhanced descriptive abilities to meet the 
evolutionary needs of
society as well.
The practice of yoga now comes in as a means of actually making this detachment 
from mental
construction a practical possibility. In order that this detachment not become 
nihilistic or otherwise
aberrated, and that altered states of consciousness not merely be substitued as 
objects of fixation,
the doctrine here introduces the principles of the relative and real natures of 
phenomena concealed
beneath the conceptualized description.
The relative or dependent nature is the nature of phenomena as products of 
interactions of
conditions. A generalized example of this commonly used for illustration is the 
interaction of
sense faculties, sense consciousnesses, and sense data. This is the raw 
material of the selection and
organizational process of mental construction. Since the faculties, 
consciousnesses, and data
cannot be apprehended in themselves, outside of their mutual interrelationship, 
there is no way of
grasping their objective nature. Their existence as individual elements, 
therefore, boils down to a
description--a relation of mind and mental object. Hence the principle of the 
real nature of
phenomena states that the imagnied nature has no objective reality in the 
relative nature. This is
what is sometimes called "emptiness."
A classic simile is that of a red dye painted on a clear crystal, making it 
look like a ruby. The red
dye represents the imagined or conceptualized nature imposed on the relative 
nature, represented
by the crystal. The real nature is the nonexistence of actual "rubyness" in the 
crystal. Reflections
of this doctrine are to be found thoughout Zen lore, and one of the major 
functions of Zen stories
is to help to see through and break up meantal fixations.
The Lankavatara-sutra likens the perceived world to waves in the ocean of 
consciousness. To get
to know the real nature of things as they are in the state of "suchness" or 
"thusness," unpredicated
reality, it is essential to still these waves of consciousness. The practice of 
methods of silencing
the mind to see reality without the imposition of conditioned representation is 
well known in Zen
Buddhism. This posed a drawback, however, which is also well represented both 
in Zen literature
and in the writings of outside observers. From the external point of view, the 
drawback was that
this exercise of quiescence gave the appearance of quietism, preventing 
understanding of the true
scope of Zen action. Within Zen schools, emphasis on stilling the mind also led 
some to regard it
as a goal, and successful stilling led some to remaind fixated on tranquillity, 
vitiating their
capacity for further progress. In both cases the problem was one of confusing 
the means with the
end. This confusion and its consequences are referred to repeatedly in Zen and 
other Buddhist lore
throughout the ages.
Little is known of the early Zen school in China, but in the record of a 
disciple of Bodhidharma's
successor we can observe the emphasis on the Lankavatara-sutra and the doctrine 
of
consciousness, as well as hints of future directions in Zen practice:
The mind-seal of the founding teacher is not a matter of concentration on 
ascetic practice, which is
merely an aid to the path. If you merge with the fundamental mind and make free 
use of its true
light, then ascetic practice is like picking up earth and turning it into gold; 
but if you only work on
ascetic practice and do not clarify the fundamental mind, thus being bound by 
aversion and
attraction, then ascetic practice is like walking on a dangerous path on a dark 
night. If you want to
clarify the fundamental mind, you should examine carefully--in the midst of 
sense impacts, before
you produce thought and reflection, where does the mind go? Is it nonexistent? 
Is it existent? Not
falling into being or nonbeing, or into any fixed location, the mindperal 
shines alone: it always
thines on the world, without a particle of obstruction, without an instant of 
discontinuity.
Therefore our founder also handed on the Lankavatara scripture, and said to my 
teach, 'As I see
China, only this scripture can be used to seal the mind. If you practice in 
accord with it, you will
be able to cross over the world.' Also, whenever my teacher finished lecturing 
he would say, "This
scripture, after four generations, will turn into literalism and formalism. 
What a pity.'"

> On May 29, 2023, at 10:38 AM, Bruce Van Allen <[email protected]> wrote:
> 
>>> if newlines were paragraph separators.
> 
> 
> It’s easy to find each “\n” and replace it with with “\n\n", to provide space 
> between lines, but I have a feeling that’s not what you’re thinking of.
> 
> Keep in mind that BBEdit is a text editor, not a word processor or page 
> layout app. In text, “\n” stands for a newline; but it doesn’t carry any of 
> the paragraph formatting that a word processor might provide via “space 
> before” or “space after” in its paragraph formatting controls.
> 
> When I import text into an app like Affinity Publisher, Adobe InDesign, etc, 
> I rely on those apps to provide the paragraph formatting.
> 
> Now, another newline issue can be that paragraphs themselves are 
> “hard-wrapped”, meaning that “\n" is used WITHIN paragraphs to make the lines 
> wrap. In those cases, my goal is usually to remove the “\n”s except where I 
> really want to end the line. That’s another easy find/replace op. BBEdit 
> provides controls to flip “soft wrapping" on/off, so I can see a whole long 
> line wrapped to a viewable width if necessary, but without inserting newlines 
> to make it wrap.
> 
> But really, I’m guessing here what you both want. Examples?
> 
>    — Bruce
> 
> _bruce__van_allen__santa_cruz_ca_
> 
> 
> 
>> On May 29, 2023, at 7:42 AM, Johnny Ragadoo <[email protected]> wrote:
>> I'd like to learn how to do this, too. BBEdit would be a fantastic companion 
>> editor for desktop publishing apps like Affinity Publisher if newlines were 
>> paragraph separators.
> 
>> On Saturday, May 27, 2023 at 6:40:55 AM UTC-5 Kim Mosley wrote:
>> How do I add a space between paragraphs? It seems every line is showing \n?
> 
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> rather than posting here. Follow @bbedit on Twitter: 
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