Know Your Grains
Even though arched patterns are hard to match, this look can be achieved
through careful attention when selecting lumber. Notice the unmatched
grain pattern
on the left and how it compares to the visually appealing matched
pattern on the right.

Selecting lumber is a skill that is just as important as cutting it.
Because no two boards are alike, each project you build will be one of a
kind. On the
other hand, when you want the individual boards in a piece to match in
appearance, the unique character of wood can seem more obstacle than
asset.

Go With the Grain
There are two fundamentals to help explain why boards look differently.
The first is the distribution of the annual growth rings in the tree,
and the second
is the orientation of the board as it's sawn from the log. Together
these two factors create the varying patterns that are commonly called
grain, although
a more accurate term used by woodworkers is figure.

Alternating light and dark rings in a log mark each growing season,
creating a specific pattern on the flat surface of a board once it has
been cut. Dark
rings-generally spaced far apart-form large, sweeping arches located
near the center in a pattern known as cathedral figure. Vertical grain,
toward the
outer edges, shows up as straight lines closely spaced together.

Mix and Match
. Radiata pine is good lumber to start with because it has
distinct growth rings and patterns. When picking out boards, first look
for those with similar color, and then narrow your selections based on
the grain
patterns.

Begin by holding two boards edge to edge; you will soon discover that
matching straight linear patterns is easiest. Arched patterns are
difficult to align-even
with boards that are cut from the same log. You can incorporate both
grains in your project, but it is easier to create seamless,
nice-looking joints when
linear figures are near the edges of the boards.
It goes with  out saying get some sighted help to pick your boards.  

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