Julia, Yrrkoon, Miss Tan, don't mind if I violate the list rules blatantly. Pphh[stop.]
Who is Conrad Dunkerson? [this clothing stuff is fun!] _Pheart of Darkness_ Danced with sixteen: <sixteen equals track 4 on _crash_, plus track 12 on _crash_, a little head, yada blergh, then to bed, all of 5 seconds before we sleep> "Wow, haven't seen you here before, but I never forget a familiar" "Manfred Mann, and what you said afterwards" "Tell her, 'Bob Dylan'" "Sorry? Who's that?" "You know, 'Do not go gentle into that good night'" "Yeah, got it, Mr Bojangles" "Betrunken monkeek" "We love your smile; don't stop laughing" "Aren't you tired of these stupid dialogs?" "Look at my ass" "It's hard not to, when you keep waving it at me like that" "Thanks" "Bye. See it next time!" "You didn't say that tonight" "You snooze, you lose" Liner notes: Everyday on _Everyday_ is one voice, then a chorus, and it shows the effectiveness of that kind of "hymnal" element, though not religious at all Madonna. Pick me up, love! . . . every-day. Pick me up, love! . . . every-day. Afternoon Delight: working away in the afternoon reminds lovers of the quickie they had in the morning. Escape: Open Arms, but also Lights, Feeling that Way, Anytime, travelling with lyricists. The taste [and refinement] of Champaign [the city], every day lovers, every morning renewed, thus the cuban motion in the afternoon. Muskrat Love: Racism, close, because it's family. Their little muskrat arms jangling in the morning after you've had your quickie with their mother. Off to work with a kiss, Blondie. Snoopy Dog: Look at the spider. Linus Pauling: Wow. Lucy Van Chambless: A spider !!!! Aaauuuuugh !!!! [stomps with a WHAM] [you had to be there]
