Just to clairify here...In this discussion, some of you are 
saying "rechanneled stereo" in reference to things that are NOT 
rechanneled stereo.

When the vocals are on one side and the music is on the other, that's 
NOT rechanneled stereo. Rechanneled stereo is when engineers take a 
mono recording and either change the equilization between channels, put 
a delay between the channels, add echo to one channel, or some 
combination of those effects. So, on 'stereo' copies of "Love Me Do" 
or "She Loves You," those are rechanneled stereo...because the source 
was mono. On the other hand, "Please Please Me" or most of the album of 
the same name and 'With The Beatles,' where the vocals and music are 
split between channels, that's not rechanneled, because they did have 
two different tracks to work with.


--- In [email protected], Kelly Thomas <[EMAIL PROTECTED]> wrote:
>
> Indeed you are correct. This was accomplished by utilizing two four 
track systems to record separately on each track, then adding them all 
together through overdubbing. And or deleting what tracks were 
incorrect without loosing sound quality from the original tracks and 
doing retakes, of course, lol.. This saved tons of studio time.
>   However on the retail end in American Music Industry in Hollywood 
this theory of splitting tracks gave way to such things as sound on 
sound systems (Magnavox) and quadraphonic sound systems which my friend 
Hammond Guthrie gave to the Who. (Quadrophenia by The Who comes to mind 
for this reason and all types of other sound on sound systems (such as 
one of my favorites utilizing a Hammond Lesley L  system and speaker 
system I was able to have sound coming from every direction at the same 
time no matter what instrument I played through it. It sounded great).. 
>   T.




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