[The last mail to bug-lilypond to keep the thread intact.]
> I think I now understand what you mean. Am I right if your wish is
> semantically equivalent to telling lilypond to automatically convert
> all occurrences of \clef F to \oldBassClef when transposing?
Yes.
> In this case, I don't agree with you.
I withdraw my request. My logic was flawed. Gee, I need a new brain.
> Why don't you use something like this:
>
> sounding = \relative c { c1 | f,1 }
>
> inScore = <<{\clef G s1 \clef F s1 } \sounding >>
> inPart = <<{\clef G s1 \oldBassClef s1 } \transpose f c' \sounding >>
>
> (or even better, use \tag somehow)
Horn parts will stay difficult, since you have to maintain different
clefs for the score and the part. I'm now using this:
bassclef = {
\tag #'score \clef bass
\tag #'hrn { }
}
With other words, no bass clefs in the part by default. In case it is
necessary to have a bass clef, I will use this:
bassclefhorn = {
\tag #'score { }
\tag #'hrn {
\set Staff.clefGlyph = #"clefs-F"
\set Staff.clefPosition = #2
\set Staff.middleCPosition = #-1
}
}
Thanks for convincing me that I'm on the wrong track. I suggest that
an example file is added to lilypond which documents this.
Werner
_______________________________________________
bug-lilypond mailing list
[EMAIL PROTECTED]
http://lists.gnu.org/mailman/listinfo/bug-lilypond
