El 06.03.2009, a las 13:54, Valentin Villenave escribió:
2009/3/6 James E. Bailey <[email protected]>:
\version "2.12.2"
musOne = \context Voice = upperOne \relative f' { f4 <<{g a}\\{e d}
>>f }
musTwo = \context Voice = upperTwo \relative f' { f4 <<{\voiceOne g
a}\context Voice = lowerTwo {\voiceTwo e d}>>\oneVoice f }
lyr = \lyricmode { This text splits here. }
\score {
<<
\new Staff \musOne
\new Lyrics \lyricsto upperOne \lyr
>>
}
\score {
<<
\new Staff \musTwo
\new Lyrics \lyricsto upperTwo \lyr
>>
}
I'm not sure how such an example could be handled automatically, since
you're using manual Voice naming for your \lyricsto instructions.
I should try again and search for Mats' example I mentioned.
I'm of the opinion anything Mats does is better than anything I do.
The goal is that <<{}\\{}>> doesn't create two new voice contexts,
but rather keeps the first one active, and just creates a second new
voice context. Remember that the goal here is that one voice is
consistent throughout. I guess I could have used the \voiceOneStyle,
in which case, the example would be:
\version "2.12.2"
musOne = \context Voice = upperOne \relative f' { \voiceOneStyle f4 <<
{g a}\\{e d}>>f }
musTwo = \context Voice = upperTwo \relative f' { \voiceOneStyle f4 <<
{\voiceOne g a}\context Voice = lowerTwo {\voiceTwo e d}>>\oneVoice f }
\score {
<<
\new Staff \musOne
>>
}
\score {
<<
\new Staff \musTwo
>>
}
_______________________________________________
bug-lilypond mailing list
[email protected]
http://lists.gnu.org/mailman/listinfo/bug-lilypond
