Op zaterdag 27-06-2009 om 14:54 uur [tijdzone +0200], schreef Mats Bengtsson:
> I could also imagine the conductors view at a rehearsal. > Still, the > formulation "most common" indicates that both strategies are used. Right, so this could be a choice. From my experience in an orchestra, it often happens that some instrumental parts are written out in full, ie, have no repeat, where other parts do have repeats. If you do not increase all bar numbers with each measure played, you are going to see "interesting" things in fully written-out parts :-) Jan. -- Jan Nieuwenhuizen <[email protected]> | GNU LilyPond - The music typesetter Avatar®: http://AvatarAcademy.nl | http://lilypond.org _______________________________________________ bug-lilypond mailing list [email protected] http://lists.gnu.org/mailman/listinfo/bug-lilypond
