Here is another real-life example (I have not been able to boil this
down to something smaller, like by omitting the chords or trying to
capture just the bars before and after the break). In this case it
would appear the insane slur slope after the line break comes from
trying to avoid the key signature.
<<
\chords { d2:m a:7 d:m a:7 d:m g:m d:m a:7
d2:m a:7 d:m a:7 d:m g:m d4:m a:7 d2:m
c1 f c f c f2 d:m a1:7 d:m
a:7 d:m c f a:7 d:m a:7 d:m }
\new Staff {
\time4/4 \key d\minor
\relative c' <<
{ a'2( bes a bes
a2 g f e)
f( g a bes
a g f4 e d2)
e1( f g a) g( f e f)
e( f g a~ a~ a~ a~ a~)
} \\
{
d,1~( d~ d~ d) d~( d~ d~ d)
c~( c~ c~ c) c~( c2 d~ d cis d1)
cis( d e f) e( d cis d)
} >>
}
>>
Here is the result: uh, no it isn't. What is the preferred method for
generating a two-system preview? -dpreview just makes the first system.
--
David Kastrup
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