On Tue 21 Jun 2011, 10:33 David Kastrup wrote:
>
> Here is another real-life example (I have not been able to boil this
> down to something smaller, like by omitting the chords or trying to
> capture just the bars before and after the break). In this case it
> would appear the insane slur slope after the line break comes from
> trying to avoid the key signature.
I have cut this example as much as could
and added as comment #10.
Thank you.
This case is a variant of issue 379;
however I've added it to "ugly slurs" collection, too.
> <<
> \chords { d2:m a:7 d:m a:7 d:m g:m d:m a:7
> d2:m a:7 d:m a:7 d:m g:m d4:m a:7 d2:m
> c1 f c f c f2 d:m a1:7 d:m
> a:7 d:m c f a:7 d:m a:7 d:m }
> \new Staff {
> \time4/4 \key d\minor
> \relative c' <<
> { a'2( bes a bes
> a2 g f e)
> f( g a bes
> a g f4 e d2)
> e1( f g a) g( f e f)
> e( f g a~ a~ a~ a~ a~)
> } \\
> {
> d,1~( d~ d~ d) d~( d~ d~ d)
> c~( c~ c~ c) c~( c2 d~ d cis d1)
> cis( d e f) e( d cis d)
> } >>
> }
> >>
>
> Here is the result: uh, no it isn't. What is the preferred method for
> generating a two-system preview? -dpreview just makes the first system.
--
Dmytro O. Redchuk
Bug Squad
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