In 4/2 time, full-measure breve rests in the second voice on a staff collide
can collide with notes in the first voice in the bottom space on the staff.
This LilyPond file demonstrates three examples; the third, which uses a
rhythm from an actual piece I was typesetting, is the worst.
\version "2.17.12"
{ \time 4/2 <<{s1 f'1 | s1 f'2 s | f'1 f'2 f'2} \\ {R\breve*3 }>> }
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