Amreg <[email protected]> writes: > 1) Consider the (very common) situation of a contemporary song, > starting with some intro measures followed by the first verse (and as > such, this verse is included in a global repeat that encompasses both > the verses and the chorus, but does *not* encompass the intro). > Usually, the end of the intro is marked with a double-bar (this is > logical, because the intro and the verse are different "sections" of > the piece, and that's precisely just *why* double-bars exist). > And, except for very short intros, the intro takes the first line of > the score, and the verse starts the second line. > > Logically, such a situation should be coded as follows: > { > % Intro (some measures) > c1 c c c | \bar "||" % double-bar to mark intro end > \break % to enforce a break between intro and verse > % Song beginning (verse, ...), starting with a repeat > \repeat volta 2 { e e e e } > } > (Note: I used a manual break above to keep this example minimal, but > the same happens with an automatic break when the intro measures are > populated enough to spread over the whole score line.) > > Obviously a workaround is to *manually* force a repeat bar at the > beginning of measure 5 (with a '\bar "|:"' instruction),
Doesn't work. You can't have more than one bar type on one time step. But you can have a complex bar type like \bar "||:" that will break into suitable pieces at a line end. It's spelled differently in 2.17 I think. -- David Kastrup _______________________________________________ bug-lilypond mailing list [email protected] https://lists.gnu.org/mailman/listinfo/bug-lilypond
