"Phil Holmes" <[email protected]> writes:

> ----- Original Message ----- 
> From: "Simon Albrecht" <[email protected]>
> To: "Phil Holmes" <[email protected]>; <[email protected]>
> Sent: Friday, March 21, 2014 2:47 PM
> Subject: Re: Slur padding
>
>
>>
>> Am 21.03.2014 14:37, schrieb Phil Holmes:
>>> "Simon Albrecht" <[email protected]> wrote in message
>>> news:[email protected]...
>>>> Hello,
>>>>
>>>> if a slur reaches around a note, they may touch as in the attached
>>>> example. There should be some kind of padding there.
>>>>
>>>> Regards,
>>>> Simon
>>>
>>>
>>> For a simple example like this, could you inline the code please?
>>> It takes me too long to save it, open it in the editor, etc., to
>>> comment.
>>>
>> \version "2.19.3"
>> \paper { #(set-paper-size "a10" 'landscape) }
>> \header { tagline = ##f }
>>
>> << { e'1 } \\
>>    { g'2( a') } >>
>>
>
> Interesting.  According to Gould, double stemmed music should have the
> slurs at the stem end, not the notehead as Lily does it.

That music looks like it is entered in a bad order.  In general, the top
voice should come first.  Where it doesn't, you are dealing with an
inversion.  In general, one should avoid flipping things like the slur
and the stems aroud in a temporary inversion in order not to make it
harder to figure out the voice leading.

If you are having a _permanent_ inversion, you should be thinking about
your voicing.

-- 
David Kastrup


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