David Kastrup <dak <at> gnu.org> writes: > > \voiceOne / \voiceTwo imply tie directions. If you write [...] > instead (which uses \voiceOne and \voiceTwo internally) you'll get the > same output above and below. In your example, LilyPond is allowed to > choose tie directions in spite of the voice crossing. > > Usually you'd want to have the higher pitched voice first _unless_ you > need to have a visual inversion (like when alto II dips below alto I).
In the piece I'm working on, it's tenor II briefly carrying the melody above tenor I. Thanks for the explanation. I see nothing in the names or the concept of "voiceOne" and "voiceTwo" that tie direction should be fixed one way or the other with no exceptions. There is room for improvement. -- Dan _______________________________________________ bug-lilypond mailing list [email protected] https://lists.gnu.org/mailman/listinfo/bug-lilypond
