Hi all, here’s another issue I posted somewhere and Carl answered:
>> >> P.P.S.: On a different note: some day I would like to get to know the >> reason why in \chordmode the absolute pitches are one octave higher than >> in note mode. For chord names correct absolute pitches don¹t matter. But >> they do when also using \chordmode in a Staff context. Mixing both modes >> is rather error prone. > > I do not know the answer why, but I believe it is intentional. There are > comments in the code that indicate the original authors knew of the one > octave shift. I believe it was defined that way so that \chordmode c > would give <c' e' g'>, since lilypond staffs have treble clefs by default. > I believe it should probably be fixed. The code is probably not hard to > fix, but I think the convert-ly rule is nearly impossible (it's certainly > beyond *my* python regexp-fu). > Post a bug report, and let's get an issue created. hth, patrick _______________________________________________ bug-lilypond mailing list [email protected] https://lists.gnu.org/mailman/listinfo/bug-lilypond
