That's a great question.  I've gotten into many discussions about this
very issue.  I think that your first example is the one to go with.  Just
for fun, go down the hall with a partner and keep your joined hands down
during beats1 through 6.  Then, on beats 7 and  8, turn as a couple.
You'll probably find that  allowing 2 beats to turn as a couple is
rushed.  So I think of turning as a couple as a 4 beat move.  Turning
alone in 2 beats works but I'd still call it on 5-8.  Calling in fours
fits the music nicely and sounds good.
Tom

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> Today's Topics:
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>    1. Timing on calling a 4 in line down the hall (Chris Weiler)
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sun, 14 Nov 2004 23:03:26 -0500
> From: Chris Weiler <[email protected]>
> Subject: [Callers] Timing on calling a 4 in line down the hall
> To: [email protected]
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset=us-ascii; format=flowed
>
> Hey all,
>
> We sat down today and programmed our dance on Dec. 4th.
> (http://www.seeger.ws/dec4_contradance.pdf)
>
> We're all pretty excited. I was going through my dances tonight doing a
> little thinking ahead and realized that I'm not sure about timing the
> calls for a 4 in line down the hall. Do you time the call to end on the
> 6th beat to encourage dancers to use the final 2 beats to turn around,
> or do you time it to end on the eighth beat?
>
> Beat - Call
> 5 - Down the
> 6 - Hall
> 7 - 4 in
> 8 - Line
> 1 -
> 2 -
> 3 -
> 4 -
> 5 - Turn as a
> 6 - Couple
> 7 - C'mon
> 8 - Back
>
> Or:
> 5 - Down the
> 6 - Hall
> 7 - 4 in
> 8 - Line
> 1 -
> 2 -
> 3 -
> 4 -
> 5 -
> 6 -
> 7 - Turn as a
> 8 - Couple
> 1 - C'mon
> 2 - Back
>
> I think that I answered my own question, but I'm interested in hearing
> what people say about it.
>
> Thanks!
> Chris
>
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> End of Callers Digest, Vol 3, Issue 3
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