On 9/18/07, Walter Daves <[email protected]> wrote: > I've composed three dances that I'd like to put out to the list for > feedback. I'd appreciate any comments you might have. > Walter
Sadie and the Back Door seems quite nice, though I'd have to think how best to teach the hey->circle transition. However, Little Nell has a spot that worries me: > Little Nell > B2: Circle left; balance the circle; ladies roll away to change places > with partner; pass thru to next Here you seem to have a roll-away, a pass through, and a get organized with new neighbors in a wave in only four beats. On (metaphorical) paper it seems dreadfully rushed. Seems like the logical choice would be to ditch the circle balance altogether, giving the nice bonus of the circle->rollaway transition. -Chris Page San Diego
