I never use the phrase forward and back when I teach
this dance.   
  I say take hands in lines and walk forward and STOP
-- 
  then I say 
Gents as you back up roll your neighbor away with a  
half sashay   
  then I say 
take hands in lines and walk forward and STOP 
  Ladies on your way back roll that same neighbor gent
away with a 1/2 sashay  

   if there are a lot of beginners I teach the roll
away during the newcomer's session. 
--- Jack Mitchell <[email protected]> wrote:

> Thoughts below.
> 
> J
> 
> At 03:47 PM 5/9/2008, you wrote:
> >Hi Callers,
> >
> >I am working up two dances that I am having trouble
> with.  The evening I am
> >preparing them for is tomorrow night. The dances
> are Turning Point and A
> >Rollin and A Tumblin.  Here are the dances and my
> questions:
> >
> >(1) Turning Point (do you know the author)
> >
> >Duple Improper
> >
> >A1        Women change places (with a ½ gypsy) (4)
> >
> >             Circle left ½                         
>                  (4)
> >
> >             Partner Swing                         
>               (8)
> >
> >A2        Men change places (with a ½ gypsy)      
> (4)
> >
> >             Circle left ½                         
>                  (4)
> >
> >             Neighbor do-si-do                     
>              (8)
> >
> >B1        Neighbor Balance and Swing               
>    (16)
> >
> >B2        Right and Left over (not back)           
>       (8)
> >
> >             Star left                             
>                    (8)
> >
> >When my wife and I walk this at home I believe that
> she has an abrupt change
> >of direction to get from the circle left ½ to the
> partner swing, and I know
> >that I have a similar abrupt change of direction to
> get from the circle left
> >½  to the neighbor do-si-do, if I am correct to do
> that with the neighbors
> >who are then below me.  This seems do-able, even
> fun, but, as it seems
> >unusual, I wanted to try and be sure that it was
> correct.
> You should just be able to tug your neighbor into 
> the DsD and use the momentum of the circle to get 
> started, since you'd be with your neighbor on the
> side of the set.
> 
> 
> >
> >
> >(2) A Rollin and A Tumblin (Cis Hinkle)
> >
> >Duple Improper
> >
> >A1        Neighbor balance and swing (16)
> >
> >A2        Long lines forward and back, women roll
> away on the way back (8)
> >
> >             Same again, but men roll away   (8)
> >
> >B1        Women Allemande Right (1 ½ )   (8)
> >
> >             Partner Swing    (8)
> >
> >B2        Ladies chain (over but not back)  (8)
> >
> >             Star left (8)
> >
> >I have been having trouble getting dancers to roll
> away on the way back,
> >rather than after the forward and back.  Should
> mess up the timing, although
> >not too much bad seems to follow.  What experiences
> with this dance have you
> >had?
> 
> I've had this same problem.  All I've been able 
> to do is to emphacize the "and on the way back 
> out" in the walk through.  It also helps if 
> they're giving weight through the long lines -- 
> that way the connection for the rollaway is already
> there.
> 
> 
> >Thanks as always
> >
> >(And my dancers thank you too)
> >
> >Rickey Holt
> >
> >Fremont, NH
> >
> >
> >
> >
> >
> >
> >
> >_______________________________________________
> >Callers mailing list
> >[email protected]
>
>http://www.sharedweight.net/mailman/listinfo/callers
> 
> _______________________________________________
> Callers mailing list
> [email protected]
> http://www.sharedweight.net/mailman/listinfo/callers
> 


Mavis L McGaugh
510-814-8118 (answering machine-leave message)


      
____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  
http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

Reply via email to