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Today's Topics:
1. Teaching a Ricochet Hey (John Sweeney)
2. Re: Teaching a Ricochet Hey (Ron Nelson)
3. Re: ricochet or push-back hey - Tapsalteerie (Lisa Greenleaf)
4. Re: Teaching a Ricochet Hey (Martha Edwards)
5. Re: Teaching a Ricochet Hey (Andrea Nettleton)
6. Re: Ricochet Hey (John Sweeney)
----------------------------------------------------------------------
Message: 1
Date: Tue, 7 Dec 2010 17:43:13 -0000
From: "John Sweeney" <[email protected]>
To: <[email protected]>
Subject: [Callers] Teaching a Ricochet Hey
Message-ID: <CA0CE9090DD943DB981F833BFF1A9940@JohnT400>
Content-Type: text/plain; charset="us-ascii"
The key thing for the caller to understand is that when the two
dancers
ricochet they take each other's place in the hey, and are now going
backwards.
This means that they must NOT just bounce back the way they came,
or to
a neutral position on their own side - they have to follow the looping
flow of the hey.
I never actually explain that though. I just tell them to bounce back
at the opposite angle to the way they came in. Describing it as a
triangle usually helps. And one quick demo usually solves 90% of the
problems.
The other 10% of the problems come from people who bounce back and
then
stop! They are still part of the hey and have to keep moving.
So instructions like these sometimes work: "As you come to the middle
you will meet someone on a diagonal; bounce off that person and head
backwards on the other diagonal, then move left* and come in again;
you
are going around the same triangle over and over again."
*or right, depends on the dance.
Note: As you bounce you change direction by just under 90 degrees,
it is
very easy to let that rotation continue and throw a couple of spins in
:-)
Happy dancing,
John
John Sweeney, Dancer, England [email protected] 01233 625 362 &
07802 940 574
http://www.modernjive.com for Modern Jive Events, Instructional
DVDs and
Interactive Maps
http://www.contrafusion.co.uk for Contra Dancing in Kent
------------------------------
Message: 2
Date: Tue, 7 Dec 2010 17:57:38 +0000
From: Ron Nelson <[email protected]>
To: <[email protected]>
Subject: Re: [Callers] Teaching a Ricochet Hey
Message-ID: <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"
Very perceptive description John. It helped me considerably as I
prepare to teach this movement.
Thanks,
Ron Nelson
From: [email protected]
To: [email protected]
Date: Tue, 7 Dec 2010 17:43:13 +0000
Subject: [Callers] Teaching a Ricochet Hey
The key thing for the caller to understand is that when the two
dancers
ricochet they take each other's place in the hey, and are now going
backwards.
This means that they must NOT just bounce back the way they came,
or to
a neutral position on their own side - they have to follow the
looping
flow of the hey.
I never actually explain that though. I just tell them to bounce back
at the opposite angle to the way they came in. Describing it as a
triangle usually helps. And one quick demo usually solves 90% of the
problems.
The other 10% of the problems come from people who bounce back and
then
stop! They are still part of the hey and have to keep moving.
So instructions like these sometimes work: "As you come to the middle
you will meet someone on a diagonal; bounce off that person and head
backwards on the other diagonal, then move left* and come in
again; you
are going around the same triangle over and over again."
*or right, depends on the dance.
Note: As you bounce you change direction by just under 90 degrees,
it is
very easy to let that rotation continue and throw a couple of
spins in
:-)
Happy dancing,
John
John Sweeney, Dancer, England [email protected] 01233 625 362 &
07802 940 574
http://www.modernjive.com for Modern Jive Events, Instructional
DVDs and
Interactive Maps
http://www.contrafusion.co.uk for Contra Dancing in Kent
_______________________________________________
Callers mailing list
[email protected]
http://www.sharedweight.net/mailman/listinfo/callers
------------------------------
Message: 3
Date: Tue, 07 Dec 2010 12:58:42 -0500
From: Lisa Greenleaf <[email protected]>
To: Caller's discussion list <[email protected]>
Subject: Re: [Callers] ricochet or push-back hey - Tapsalteerie
Message-ID: <[email protected]>
Content-Type: text/plain; charset=us-ascii
Adam Carlson's Queen Bee
A little history here: Adam was the first to take this dance
flourish and put it in a dance. He called it the figure a Queen
Bee hey after a neighborhood in Seattle. I liked the move but
wanted a name that reflected the action of the figure, so I called
it a ricochet hey and wrote a dance with the same name; the dance
is a riff on Tony Parkes' Flirtation Reel.
My original dance had alternating 1s and 2s, but that worked only
with experienced or up-for-anything crowds. I don't call this any
more, as other folks have written much better dances!
Ricochet Hey Duple Improper
A1 (8) Down 4 in line , 1s in middle, turn alone (8) Up, face N (1s
BTB in middle)
A2 (16) Passing Neighbor R, 1s whole hey, 2s Ricochet
B1 (16) B&S N
B2 (8) For & Back (8) 1s Sw, face down
Lisa Greenleaf
------------------------------
Message: 4
Date: Tue, 7 Dec 2010 15:32:52 -0600
From: Martha Edwards <[email protected]>
To: "Caller's discussion list" <[email protected]>
Subject: Re: [Callers] Teaching a Ricochet Hey
Message-ID:
<[email protected]>
Content-Type: text/plain; charset=UTF-8
I find that if it's a regular hey (ladies start by the right
shoulder) a
ricochet hey feels a bit like a reverse Mad Robin - walking a sort
of dosido
track while facing across - adding, of course, the push-off...
M
E
On Tue, Dec 7, 2010 at 11:43 AM, John Sweeney
<[email protected]>wrote:
The key thing for the caller to understand is that when the two
dancers
ricochet they take each other's place in the hey, and are now going
backwards.
This means that they must NOT just bounce back the way they came,
or to
a neutral position on their own side - they have to follow the
looping
flow of the hey.
I never actually explain that though. I just tell them to bounce
back
at the opposite angle to the way they came in. Describing it as a
triangle usually helps. And one quick demo usually solves 90% of the
problems.
The other 10% of the problems come from people who bounce back and
then
stop! They are still part of the hey and have to keep moving.
So instructions like these sometimes work: "As you come to the middle
you will meet someone on a diagonal; bounce off that person and head
backwards on the other diagonal, then move left* and come in
again; you
are going around the same triangle over and over again."
*or right, depends on the dance.
Note: As you bounce you change direction by just under 90 degrees,
it is
very easy to let that rotation continue and throw a couple of
spins in
:-)
Happy dancing,
John
John Sweeney, Dancer, England [email protected] 01233 625 362 &
07802 940 574
http://www.modernjive.com for Modern Jive Events, Instructional
DVDs and
Interactive Maps
http://www.contrafusion.co.uk for Contra Dancing in Kent
_______________________________________________
Callers mailing list
[email protected]
http://www.sharedweight.net/mailman/listinfo/callers
--
For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance. ~ William Butler Yeats
------------------------------
Message: 5
Date: Tue, 07 Dec 2010 18:09:34 -0500
From: Andrea Nettleton <[email protected]>
To: [email protected]
Subject: Re: [Callers] Teaching a Ricochet Hey
Message-ID: <[email protected]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
I teach a ricochet hey like a slice of pizza. You go in up the
side of
the slice, angle back out down the other side of the slice, and curve
back to place along the crust. The other dancers dance the crust
first
then either cross, or in a double ricochet hey, go into the center and
back out along the sides of the slice of pizza. Worked when I
taught my
dance, Mambo, to my skit cast for West Side Contra. I wrote a move
which I believe is novel, which I called a Half Ricochet Allemande
Hey.
It actually returns all participants to their original places,
which are
already progressed, but gets them moving in the right direction.
In it,
the ladies travel the pizza slice as described above, but the
gents, who
are across the set from their partners, travel the crust first, and
instead of passing by the right to cross over, continue the circle
they
began by allemande-ing back to place and on to meet their new
neighbor.
It has a beautiful flow, the circle folding in on itself like waves
tumbling over one another in the ocean. Here is the dance, not as we
danced it in the skit, which we had to do shifted forward a half
phrase
to accommodate the hits in the music, but as you would teach it to a
hall of dancers, but probably not one full of newbies. :-)
MAMBO! (Improper)
A1 Partners face and Mad Robin
Circle L 1x
A2 Balance the ring, Spin R 1 place (Petronella)
Partner Swing
B1 R & L Through
Ladies Chain
B2 1/2 Ricochet Allemande Hey [OR California Roll] *See below
New Nbr. Gypsy
*In a 1/2 Ricochet Allemande Hey, the Ladies, who are coming out of
the
Courtesy Turn following the Ladies Chain, go into the center, ricochet
(push one another back and to the left.) They arrive at their Nbr's
place turn and curve out and towards their starting place, then beyond
for the gypsy. The Gents curve back and to the right then into the
center for an Allemande L (some would call it a 1/2, some 3/4, I say
till they are back where they began the 'Hey'), and continue past the
starting place to Gypsy a New Nbr. to Gypsy. It isn't exactly a Hey,
though that's where I started with the move. It does have a nice
folding quality to it and spits everyone out moving toward the New
Nbr.
I think of the Ladies as doing a slice of pizza, making the tasty
point
first, ending with the crust, while the Gents do a whole pie, starting
with the same bit of crust the Ladies will later do. Tasty for all.
To do the California Roll in this dance: when the Ladies come out of
said Courtesy Turn, all free up their hands and face into their
original
hands four as they would if they circled, with Partners standing
across
the set. Partners take the handy hand, which is the Lady's R, the
Gent's L, lift joined hands, the lady curls in toward her partner and
walks under while he walks past, to swap, reverse direction, and face
New Nbrs. Not yet proper, they immediately do a Roll Away with a Half
Sashay to swap places but continue to face the New Neighbors, whom
they
might then Gypsy. I used the move to end the dance. It gives very
elastic and satisfying connection with the partner for such a purpose,
but could also function as a perfectly good progression. It is less
good in that capacity for this dance because the first New Nbr.
interaction is a forward moving one. It might be more properly
termed a
Nevada Roll due to the starting positions, but who can resist
something
as funny and catchy as a California Roll?
On 12/7/2010 4:32 PM, Martha Edwards wrote:
I find that if it's a regular hey (ladies start by the right
shoulder) a
ricochet hey feels a bit like a reverse Mad Robin - walking a sort
of dosido
track while facing across - adding, of course, the push-off...
M
E
On Tue, Dec 7, 2010 at 11:43 AM, John
Sweeney<[email protected]>wrote:
The key thing for the caller to understand is that when the two
dancers
ricochet they take each other's place in the hey, and are now going
backwards.
This means that they must NOT just bounce back the way they came,
or to
a neutral position on their own side - they have to follow the
looping
flow of the hey.
I never actually explain that though. I just tell them to bounce
back
at the opposite angle to the way they came in. Describing it as a
triangle usually helps. And one quick demo usually solves 90% of the
problems.
The other 10% of the problems come from people who bounce back
and then
stop! They are still part of the hey and have to keep moving.
So instructions like these sometimes work: "As you come to the
middle
you will meet someone on a diagonal; bounce off that person and head
backwards on the other diagonal, then move left* and come in
again; you
are going around the same triangle over and over again."
*or right, depends on the dance.
Note: As you bounce you change direction by just under 90
degrees, it is
very easy to let that rotation continue and throw a couple of
spins in
:-)
Happy dancing,
John
John Sweeney, Dancer, England [email protected] 01233 625 362&
07802 940 574
http://www.modernjive.com for Modern Jive Events, Instructional
DVDs and
Interactive Maps
http://www.contrafusion.co.uk for Contra Dancing in Kent
_______________________________________________
Callers mailing list
[email protected]
http://www.sharedweight.net/mailman/listinfo/callers
------------------------------
Message: 6
Date: Wed, 8 Dec 2010 14:49:23 -0000
From: "John Sweeney" <[email protected]>
To: <[email protected]>
Subject: Re: [Callers] Ricochet Hey
Message-ID: <58F0164537EA4103B3909D045E0477C1@JohnT400>
Content-Type: text/plain; charset="us-ascii"
The ones I know are:
Ricochet Hey #1 (no idea who wrote it, sorry)
Contra; Improper
Start in lines of four facing down, #1s in the middle
A1: Down the Hall in Lines of Four; Turn Alone
Up the Hall in Lines of Four; #1s face #2s
A2: Full Hey: normal Hey for #1s; Ricochet Hey for #2s
B1: Neighbour Balance & Swing
B2: Long Lines Forward & Back
#1s Swing - end facing down to pick up next #2s
Rolling Hey (by Charley Harvey)
Contra; Improper
A1: Circle Left; Neighbor Swing
A2: Circle Left 3/4; Partner Swing
B1: Star Right; Ladies' Chain
B2: Ricochet Hey for all - start with Ladies into the centre on a
slight Right diagonal; push back on a slight Left diagonal, then
step to
the right; Men do the same, starting with the step to the right;
REPEAT)
- so no-one ever crosses the set during the Hey.
Ladies keep moving to the right into a new circle. Men turn to
their left out of the last push into a new circle.
Happy dancing,
John
John Sweeney, Dancer, England [email protected] 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Contra Dancing in Kent
------------------------------
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Callers mailing list
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End of Callers Digest, Vol 76, Issue 13
***************************************
