On Sun, Aug 21, 2011 at 4:32 AM, John Sweeney <[email protected]> wrote:
> My wife and I like spinning off each other in Heys.  But we very rarely
> meet in the middle of a Hey :-(
>
> Flirtation Reel is a great example of a dance where you meet your
> Partner in the middle of the Hey, but I can't find any other dances
> where that happens.
>
> Does anyone know of any other good dances where you meet your Partner in
> the middle of a Hey?
>


Here's a partial list, for varying definitions of "good":

(Many of these are unequal with only the ones swinging. The key is you
need to at least briefly break out of rotational all-equal symmetry,
even if it's as minor as having the ones stand between the twos.)


Down the Hall:
Aurora, by Mary Devlin
Fiddling Frog Contra, by Leonard Ellis
Flirtation Reel, by Tony Parkes
Flirting with Bobbie Jo, by Seth Tepfer
Gaye Fifer's Contra, by Tom Hinds
Golden Anniversary, by Peggy Hazell (Ted Sannella variant)
Gypsy Sailor, by Orace Johnson
Hannah's Reel, by Robert Cromartie
Hickman's Hey, by unknown
Mary's Favorite, by George Lowrey
String of Swings, by Bob Isaacs and Rick Mohr
Winter Hey Ride, by Erik Hoffman
Waterloo Hornpipe, by Dale Rempert


Contra Corners: (hey is typically on the diagonal)
Almost Dancing Sailors, by Al Olson
The Beat Goes On, by Janet Holland
C&C, by Steve Schnur (triplet)
The Doublecross, by Jim Kitch (triplet)
The Dancing Sailors, by Ed Shaw
Dirty Dishes, by Erik Hoffman
Hey in the Middle, by Tom Hinds
The New Dancing Sailors, by Al Olson
Swing into Matrimony, by Kathy Anderson
untitled riff off of Dancing Sailors, by Seth Tepfer


Hey on diagonals, no contra corners: (a number of contra corners
dances also fit here)
Dancing Hey to Hey, by Al Olson
Purple Heys, by Mike Richardson
Thanks to the Pharmacist, by Carol Ormand
Trip to Denmark, by Tom Hinds


Ones step between twos:
Bonny Jean, by Ted Sannella
Falling Leaves, by Don Flaherty
Gentle Persuasion, by Dale Rempert
Inverted Victory, by Bob Marr
Keith's Banjo, by Peter Jorgensen
Making Hey, by Roger Diggle
Semicentennial Reel, by Ted Sannella
Swinging in the Hey, by Folk Process (see Give & Take)
Unity Among Friends, by Mark Richardson


Key people half figure eight:
Black Mountain Triplet, by Gene Hubert
Equal Opportunity, by Jeff Spero


Dancers have to force/fudge the transitions to make it work:
Foster's Farewell, by Kirston Koths
Fred's Folly, by Harry Brauser
Hashed Hey, by Al Olson
Quarried Hay, by Al Olson
Scratch Paper Contra, by David Kirchner


Other:
Garbology, by Erik Hoffman (triple minor, only ones meet partner)
Snow Sandals, by Carol Ormand (triplet)
Tanya's Dream, by Al Olson (proper, unequal allemandes of men and
women at sides)



Enjoy!

-Chris Page
San Diego

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