I think standardization is a good thing, in all forms of engineering.
Personally, I stick to calling dances that require only a small set of
standardized figures.  My goal is to keep this art form available to the
most people possible.  I know that I, personally, would not have kept
dancing contras if a lot of new calls had been thrown at me every time I
attended.  My goal is to keep that venue open to the general non-dancing
public.

So I would not use the call.  I have a number of dances in my collection
that I no longer use because they contain calls that could cause "mild
confusion" for some dancers.  Of course, almost all of the dances I call
are open to the general public.

- Greg McKenzie

*************

On Sun, Dec 4, 2011 at 6:33 AM, Bob Peterson <[email protected]> wrote:

> Recently someone posted a dance sequence and rather then hijack that
> thread I'm starting a new one.
>
> > Right hand turn, Left hand turn
> > Two hand turn, No hand turn (do-si-do)
> > Balance and swing
> > Promenade and slip the clutch (ladies turn right and meet the next gent)
>
> Outside of modern square dancing you can define slip the clutch any way
> you like, of course, but within MSD, a slip the clutch requires both
> dancers in the couple to already be facing in opposite directions. What
> would be borrowed here from MSD is a "ladies rollback while the gents move
> forward".
>
> What's good here is the definition for this rare contra call is included.
> What's bad is this exactly not the definition in squares. I know slip the
> clutch sounds cooler and is shorter to say.
>
> Its likely this was misobserved, misremembered or a coincidence of
> invention. It could even be a very old definition that diverged in the two
> dance styles. It's still going to (mildly) confuse the handful of people
> who dance both contras and MSD-they'll either mess up or hesitate. I can
> dance a contra to whatever words the caller wants to use as the caller
> defines it, but if this were undefined and sprung on me, say in a medley,
> I'd do something the contra caller did not intend. So again I'm glad the
> definition is included in the choreography.
>
> (Here's and easy reference to the rollback and slip the clutch calls from
> MSD: http://www.mit.edu/~tech-squares/lessons/lesson6.html. There are
> more precise definitions at the callerlab site.)
>
> What do you think?
>
> \bob
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