Donna Hunt said:


I'm glad you said this was a "true story" otherwise I would have thought it was a "caller's nightmare". I'm wondering (as I'm sure everyone is) what else you had to "adapt" to and how you handled it all. If you have time I'd love more information.


Donna,

I know I recorded that dance. If I ever find it I'll send a copy to you. It was easy to adapt because I was teaching dance and calling full time. I was calling MWSD, calling to kids, mentally challenged etc. So I was used to adapting all of the time. This situation was just on the extreme side of adapting. The dancers were very gung-ho and that made the experience very enjoyable. I can see that visiting couple squares would have been a good choice but I really can't remember what I did because it happened in 1988 or 1989.

When I called MWSD I soon learned that calling full throttle for every tip wasn't real smart. For the dancers it got old. So I developed these different voice personalities for variety. Sometimes I'd be relaxed, or kid around or was challenging and yes full throttle once in a while. I think this helped me more than anything else when calling to the blues music.

Tom





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