Can you define "down the hall" and explain why you see it as a problem?

Do you mean "down the hall four in line", "Twos down the outside?"  Any
"down the hall" figure at all?

Just wondering.

- Greg McKenzie

******************

On Sun, Jan 6, 2013 at 3:00 PM, tavi merrill
<[email protected]>wrote:

> Hi "call"eagues,
>
> As a minor-league caller working towards a National-league position, i'm
> always on the search for new repertoire. Unfortunately, whenever i peruse
> collections - be they callers' websites or books like "Zesty Contras" - i'm
> easily distracted by bright, shiny choreography that fascinates my
> nerd-mind (Marshmallow Surprise! A Slice of Life! Possums in the House!),
> but often takes a rare crowd of dancers to appreciate. Even the favorite
> dances we tend to share with caller friends often veer toward the highly
> "interesting". It's easy to find simple dances with a down-the-hall figure,
> but i'm specifically looking for low to medium piece-count dances WITHOUT
> down the hall.
>
> I'm wondering if anyone could point me towards dances that really hit a
> homer - things like: Jubilation (Gene Hubert), Thanks to the Gene (Tom
> HInds) Another Nice Combination (Tome Hinds), Star Struck (Nick Boulet),
> Simplicity Swing (Becky Hill), The Carousel (GH), The Baby Rose (David
> Kaynor), All You Can Eat (Ted Crane), 20 Below (Bill Olson)... dances that
> can be the bread and butter of a less advanced evening, or just a handy
> fall-back for more capable crowds. Dances without down-the-hall, and
> without awkward transitions (right&left through -> circle L?! agh!).
>
> What are the best places to go looking for other bread-and-butter
> repertoire like those? Anybody have a favorite fall-back or
> last-of-the-night dance they'd like to share?
>
> I'm not only asking for myself, but for anyone out there who finds it very
> easy to collect 'advanced' level dances but harder to find accessible
> dances that are truly satisfying with good flow.
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