I think the "feel" of a dance is highly interpretive.  It really is the
"feel" of the music that sets the mood.  The same tune played to the same
dance can be very different with each band.

That is one reason the "mood" adjectives are so useful.  I'm really not
sure what the "mood" communicates to the musicians but some seem to like
them.  I try to, at least, make the "mood" signifiers both interesting and
evocative.  I know that--for some musicians--the mood adjectives are more
for entertainment value.  I try to use at least two very different mood
adjectives for each dance.  That gives the musicians permission to
interpret the instruction to suit their own "feeling" about the dance.

Here is a list of some of the "mood signifiers" I use on my cards and in
the program I print for the band:

Gallant, Stylish

Exhilarating, Warm

Fanciful, Yearning

Amicable, Poignant

Bouncy, Lighthearted

Steady, smooth, chipper

Driving, joyful, captivating

Bold, naughty

Dashing, Noble

Hearty, Relaxed, Impish

Thrilling, Entrancing

Bright, Sprightly

Touching, Piquant

Rolling, Playful

Spiffy, Meaningful

Abounding, Urbane

Luscious, Gentle

Brisk, Endearing

lighthearted, amenable
I hope this is useful to some.

Regards,

Greg McKenzie (Santa Cruz, CA area)

**********************

On Fri, Feb 22, 2013 at 10:09 AM, Maia McCormick <[email protected]> wrote:

> Jumping off from the aforementioned thread, I'm sure this is quite an
> elementary question, but one I've never had to deal with before because I
> do most of my calling to a student band that has barely cobbled together a
> set list for the dance in question and so isn't really capable of much
> collaborating: what exactly sets the mood/feel of a dance? What are certain
> adjectives you'd apply to a dance or it's music based on the move-content?
> What sort of dances tend to go better to jigs as opposed to reels and vice
> versa? I'd love to hear what you all think!
>
> Cheers,
> Maia
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