There are thousands of contras.  If one doesn't work, why not try
another one instead of altering that one?

Michael Barraclough



On Thu, 2013-06-20 at 13:16 -0700, Dave C wrote:

> Instead of the Ladies Dosido 1.5 at the end to progress, just have the Ladies 
> AL 1 1/2 in the center, with RH ready for the next neighbor.  Some in the 
> caller community have dubbed this version of the dance 3-33-34. 
> 
> Dave Colestock 
> New Cumberland, PA
> 
> 
> --- On Thu, 6/20/13, Kalia Kliban <[email protected]> wrote:
> 
> From: Kalia Kliban <[email protected]>
> Subject: Re: [Callers] Tampering with a classis aagain 3-33-33
> To: "Caller's discussion list" <[email protected]>
> Date: Thursday, June 20, 2013, 2:10 PM
> 
> I've had pretty good luck with it, possibly because I have the women ID the 
> next neighbor early on.  They know which face to look for.  After that, they 
> get a better feel for the area to aim for to find the new neighbor.  A couple 
> of seriously disoriented dancers can really play havoc with this dance 
> though.  It's brittle.
> 
> Kalia
> 
> On 6/20/2013 11:02 AM, Rickey Holt wrote:
> > 3-33-33 lovers and callers - I have been calling this great dance recently
> > and noticed that dancers of various experience levels in several venues have
> > had trouble with the transition in the B2 from the Ladies Do-si-do 1 1/2 to
> > the balance with the next neighbor that starts the dance.  They have trouble
> > finding that next neighbor, even after several times through, and with
> > translating the momentum of crossing the set to that of up and down the line
> > of the first part of the dance. I tried substituting an allemande right 1
> > 1/2 for the do-si-do 1 1/2 of the original with little effect.  What about a
> > ladies allemande right about 1 1/2 to a next neighbor allemande left and
> > then starting the dance again with a balance by the right with that
> > neighbor?  Other solutions?  Have you or your dancers noticed the problem
> > that I have seen.  As always, thanks for your thoughts.
> > 
> > Rickey Holt
> 
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