[finally enough time to respond]

On Wed, Jun 05, 2013, Linda Leslie wrote:
> On Jun 5, 2013, at 9:01 PM, Aahz Maruch wrote:
>>On Wed, Jun 05, 2013, Linda Leslie wrote:
>>>On Jun 5, 2013, at 5:51 PM, Aahz Maruch wrote:
>>>>
>>>>Here's a Beckett with a circle that doesn't start with a circle:
>>>>
>>>>Panix Dot Chat ([email protected])
>>>>
>>>>Beckett formation
>>>>
>>>>Right-and-left thru on left diagonal (8)
>>>> (Yes, start with progression)
>>>> (Warn ends about not moving)
>>>>Right-and-left thru new couple (8)
>>>>Circle left 3/4 (8)
>>>>Swing neighbor (8)
>>>>Pass through (4)
>>>>California twirl (4)
>>>>Men left-hand turn once-and-half (8)
>>>>Balance and swing partner (16)
>>>
>>>The dance is a double progression dance, so alerting dancers to the
>>>fact that "you will quickly be back in the dance at the top" should
>>>help. I also find that encouraging dancers to have an odd number of
>>>couples (an extra couple at the bottom of the set) helps; this way,
>>>they will get to dance with more of their neighbors.
>>
>>Nope, not double-progression, I hate double-progression. ;-) However,
>>the way it's constructed, nobody is ever out at the top; you're only
>>out when you're on the bottom with an odd number of couples.
>
> Hmmmmmm. I am going to respectfully disagree.  It might seem like a
> single progression, since you are doing 56 counts of the dance with
> just one couple. But, you are actually dancing with two distinct
> couples. You pass by the first couple in the R&L through on the left
> diagonal, this is the only movement danced with them. You then dance
> the remainder of the dance with a second couple.
>
> Another hint that this is double progression is the fact that you
> are not out at the top of the set (you indicate this in your notes,
> when you mention that the top couple should not move; if it were
> single progression, they would have to cross to other side of the
> set, and wait out one cycle of the dance). This is quite distinctive
> of double prog. dances.

Well, that's embarrassing.  You're right!  Thanks also to Chris Page and
Jim Saxe for their private corrections.

I think it's interesting that Becket formation lends iteself to this
mistake; I don't think I would/could have made it with duple improper.

Hey, Alan!  How come you didn't point this out earlier?  ;-)

After thinking, I don't think it's possible to rescue this dance without
completely rewriting it (given the other constraints I used in writing
it), so I guess I'll just have to live with it (I've called it two or
three times now and people like it).
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