Depends on what goes into and out of them, I guess. A hey into an allemande
is fast. A long lines into an allemande in the center, not so much. I'd
like to tip my hat at Bob Isaacs for helping me understand the dynamics a
bit of this back when I first started dance writing.


On Wed, Oct 9, 2013 at 10:31 PM, Erik Hoffman <[email protected]> wrote:

> About that "Yes, the allemande is traditionally 6 beats."  Where did that
> tradition come from?
>
> When I started dancing in 1980, we learned that an allemande once around
> was 8, 6, or 4 beats.  To change the timing, simply get closer or farther
> from the person with whom you're allemanding i.e. adjust the circumference
> of the circle you're navigating, and the weight won't change much.
>
> In the Tennessee Mixer (which Fred Park says is from Kentucky, and Fried
> de Metz Herman seemed to plunder for her waltz dance, the Wood Duck), the
> allemandes are 8 beats.
>
> In Hulls Victory, when the ones come together and go twice around, it's
> fast, and they better be 4 beats.
>
> In modern dances, like Penn Fix's "Settlement Swing," the once around
> allemandes are also 4 beats.
>
> ~erik hoffman
>     oakland, ca
>
>
> On 10/9/2013 7:01 PM, Ron Blechner wrote:
>
>> ** Yes, the allemande once around is traditionally 6 beats. Stepping into
>> a
>> star from a long lines can eat up an extra beat. This dance is intended
>> for
>> basically two situations: 1. Early in the evening, when newbies will need
>> more time, especially with a star. 2. This should work well with faster
>> music, like Old Timey, and that slow allemande is going to feel a-ok. Just
>> remember to teach it something like: "A nice, easy allemande once around,
>> until the ladies face in". Similar timing slow-down can be seen in the
>> delightful dance "Joyride", where a gypsy 1x occupies 8 beats, and a
>> novice
>> caller can easily forget to remind dancers to take it slow.
>>
>>  ______________________________**_________________
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