I've danced to both versions of techno contras, and either called or played
music for both, too.  The earlier techno contras I danced at, including at
Youth Dance Weekend in 2008 and 2009, were the long-format version.  People
just put in a CD they'd mixed ahead of time, or something like that, and
let it go the whole dance, and the callers called a few different dances in
a medley.  I've never done one of those at a normal dance, rather than a
dance weekend.  So the crowd always knew what they were doing, no beginners
to integrate, several callers who would just take over and call when they
felt like switching dances.  I don't think it works very well for a normal
dance, but it's fine for a late-night activity when somebody just wants to
pop in a CD and get going, or if you want to have a long medley with a
bunch of experienced dancers.

I don't think I've ever called for the more common kind of techno contra,
the kind you'd find Douple Apex or Firecloud or DJ Improper or Phase X or
whatnot performing.  I've played music for it, though.  As a dancer, I
definitely have preferred the continuous kind, since, well, it's always a
lot of fun dancers just having a good time long after sane dancers have
gone to bed.  And I've never objected to chaotic partner and role
switching.  But I think the second version works better for a regular
series, since you can teach each dance, switch partners in an orderly
fashion, or otherwise run the night like a typical contra dance.

So, I basically see these two versions of techno contra as fulfilling
totally different needs.  As far as where goes, I think I've only danced
continuous-style techno contra at YDW, and that's the only time I've called
for a techno contra, except for one or two dances at Glen Echo near DC.  I
think there was a 30- or 40-minute medley at one of the Spark in the Darks
with Double Apex in the Boston area that I also danced at, but I don't
remember for sure.  As far as the normal contra-style techno dances, I've
danced them in several places along the east coast, mainly in the DC and
Boston areas (and have played for them a couple times in DC).

-Dave


On Mon, Apr 7, 2014 at 1:30 PM, Les Addison <[email protected]> wrote:

> I've done both as a dancer, and as a caller, I've only done a slot as a
> regular length dance.
>
> I've also danced to both live music and DJed music at techno contras.
>
> As a dancer, I prefer to have the dances be of a length that I expect-- it
> keeps me from needing to negotiate with my partner when to jump in/how long
> to dance. I've done techno contras with some really awesome callers, and
> most of them seem to end up with a bit more challenge about tracking where
> we are in the dance, so end up with a bit of calling to correct the
> dancers, and I feel like a continuous dance setup would make that even
> harder.
>
> I would have preferred, when doing the long long dances, to have been told
> that it was not only okay to drop out at the end, but expected.
>
> Les
>
>
>
>
> On Mon, Apr 7, 2014 at 9:46 AM, Kalia Kliban <[email protected]> wrote:
>
> > Hi all
> >
> > I have a question about two different styles of techno contra.  The
> > question is mostly directed at folks who have done both, since I'm
> curious
> > about whether you have a preference and if so, why.  Some techno contras
> > have continuous music -- the dancers just drop in or out at the bottom
> > whenever they feel like it, and the caller treats the night like one long
> > medley.  The other kind is more like a regular contra.  The caller
> teaches
> > a dance, the music starts, the dance runs for however long it runs, and
> > then it stops and folks re-partner for the next one.
> >
> > As a dancer, which style do you prefer?  How about as a caller?
> >
> > Kalia
> > _______________________________________________
> > Callers mailing list
> > [email protected]
> > http://www.sharedweight.net/mailman/listinfo/callers
> >
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-- 
David Casserly
(cell) 781 258-2761

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