Carol Ormand also has a blues dance.

Here is a blues circle dance written to celebrate the new year. Easily 
alterable to fit your needs:

http://dancerhapsody.com/Calling/Dances.html#NYE

[http://www.dancerhapsody.com/Photos/FINAL_logo_pms.png]<http://dancerhapsody.com/Calling/Dances.html#NYE>

Choreography - Dance Rhapsody
This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 
License. This means you are free to share, copy, distribute, transmit, remix, 
and adapt ...
Read more...<http://dancerhapsody.com/Calling/Dances.html#NYE>



Here are two I 'wrote' (it is hard to claim these as original dances as they 
are just stripped down blues versions of classics):


http://dancerhapsody.com/Calling/Dances.html#Blues3

[http://www.dancerhapsody.com/Photos/FINAL_logo_pms.png]<http://dancerhapsody.com/Calling/Dances.html#Blues3>

Choreography - Dance Rhapsody
This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 
License. This means you are free to share, copy, distribute, transmit, remix, 
and adapt ...
Read more...<http://dancerhapsody.com/Calling/Dances.html#Blues3>




Seth Tepfer
Director of Administrative Computing
Oxford College
770-784-8487
[email protected]
Use AskIT for fastest response: 
Oxford.emory.edu/AskIT<https://app.oxford.emory.edu/WebApps/OCIT/forms/AskIT/index.cfm>

<https://app.oxford.emory.edu/WebApps/Directories/index.cfm?fuseaction=v.searchresults&searchname=tepfer>


________________________________
From: Callers <[email protected]> on behalf of Erik 
Hoffman via Callers <[email protected]>
Sent: Sunday, October 18, 2015 9:57 PM
To: [email protected]
Subject: Re: [Callers] Blues for contra dancing

Blues for Contras:

There are several contras made up for the blues. Fred Park made up one of them, 
and I've made up three-for various occasions. I don't know that I'd recommend 
them for a beginner dance, but they're posted below.

Understanding the structure of the blues, and how it fits into the normal 
structure of contra music is important. Richard, below, is incorrect in saying 
"24 beats," because we think of bars as being 2-beats each, and the blues uses 
bars that are 4-beats each. Thus, talking beats:
    32 2-beat bars = 64 beats, divided into four 16-beat sections (AABB)
    12 4-beat bars = 48 beats, which can be divided into three 16-beat sections

Using The Walking Blues (Paul Butterfield -- 
<https://www.youtube.com/watch?v=T9dkse6R3Tg> 
https://www.youtube.com/watch?v=T9dkse6R3Tg) and Roman numerals for chords (ask 
a musician) as our basic 12-bar blues, your common blues follows this structure 
or variants thereof:

A:
|I           |I          |I         |I         |
Woke up this moring, I, looked around for my shoes

B:
|VI        |VI        |I         |I         |
Woke up this morning, I, looked around for my shoes

C:
|V         |VI        |I         |V       |
Girl I had those, Whoa, mean old Walkin' Blues

OK, in this tune they don't play that V chord in the last measure, except in 
the instrumental part, but it's common.

One thing you need to watch out for is tempo. The Walkin' Blues is good. This 
is on the slow side:
https://www.youtube.com/watch?v=D93PBlwBp8s

The first tune in this video of the fablulous Elmore James is a great speed, 
and has the basic "Blues Shuffle" backup (which is similar to a jig)
https://www.youtube.com/watch?v=8BgRO81Y5fU

The first tune of this great Muddy Waters video, Rock Me Baby, is a bit slow, 
but could be speeded up a bit easily. The second tune Hoochie Cootchie Man 
(3:13) is too slow. The third tune, Trouble No More (6:04), is too fast.
https://www.youtube.com/watch?v=40-oo1S2WEw

Remember, at a barn dance, many of the dances we do, like the Virginia Reel, or 
Strip the Willow, or other sort of "unphrased" dances don't need the strict 
32-bar structure.


Those Blues Contras:

Blues Too
Improper—Blues
Erik Hoffman
A    Circle Left 1/2, Balance the Ring;  Swing Neighbor
B    Women Do Si Do 1-1/2;  Swing Partner
C    Circle Left ¾;  Balance the Ring, CA Twirl

Swinging Into Marriage
Becket—Blues
Erik Hoffman
A    Men Allemande Left 1/2 to a wave (4) Balance (4);  Swing Neighbor (8)
B    on Right diagonal: Women Allemande Right 1/2 (to a wave with Shadow on the 
diagonal (4), Balance (4);  Those same four Half Hey, Shadow start Left shoulder
C    Partner Balance & Swing

Christmas Blues
Becket (right progressing)
A    Petronella Balance, Neighbor Swing
B    Men Allemande Left  1-1/2; Partner Swing
C    Long Lines Forward & Back; Partner Promenade 1/2, with a big loop to next 
couple
>>>>
Around 25 years ago we started doing a Christmas Night dance in Santa Barbara. 
Maybe 20 years ago Bayou Seco started playing for it, and we've been doing it 
for a long time! I love singing Elvis Presley's Santa Claus is Back in Town, so 
we've been doing a blues dance and using that song for about as long. Thus, we 
vary it a bit: Fred Park's Ministry of Truth, my Blues Too, and now Christmas 
Blues.

And finally:
    What does it say on the blue's player's tombstone?
        -- "I didn't wake up this morning..."

~erik hoffman
  oakland, ca


On 10/18/2015 3:13 PM, Richard via Callers wrote:

The structure of a classic blues song is 12 bars long (24 beats). Modern blues 
bands do play a lot of tunes that are not in this structure.  In any case it 
might be interesting to think about contras that are or could be made to be 48 
or 72 beats long, rather than 64.

R

Richard Hopkins
850-544-7614
[email protected]<mailto:[email protected]>

Sent from my iPhone




On Oct 18, 2015, at 4:01 PM, via Callers 
<[email protected]><mailto:[email protected]> wrote:

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Today's Topics:

  1. Re: Dances For Short Line (Louie.cromartie via Callers)
  2. Re: Dances For Short Line (Linda Leslie via Callers)
  3. Musical styles for a Barn Dance question
     (Leslie Gotfrit via Callers)
  4. Re: Musical styles for a Barn Dance question
     (John Rogers via Callers)
  5. Re: Musical styles for a Barn Dance question
     (JD Erskine iDance via Callers)


----------------------------------------------------------------------

Message: 1
List-Post: [email protected]
Date: Sat, 17 Oct 2015 16:32:15 -0400
From: "Louie.cromartie via Callers" 
<[email protected]><mailto:[email protected]>
To: Martha Wild <[email protected]><mailto:[email protected]>
Cc: sharedweight <[email protected]><mailto:[email protected]>
Subject: Re: [Callers] Dances For Short Line
Message-ID: 
<[email protected]><mailto:[email protected]>
Content-Type: text/plain;    charset=us-ascii

Just curious. Robert doesn't recall writing (or calling) a dance called Saint 
Louis Cruise. Perhaps it was created by someone else.
-Louie (not a saint)
Send Callers mailing list submissions to
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When replying, please edit your Subject line so it is more specific
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Today's Topics:

  1. Re: Dances For Short Line (Louie.cromartie via Callers)
  2. Re: Dances For Short Line (Linda Leslie via Callers)
  3. Musical styles for a Barn Dance question
     (Leslie Gotfrit via Callers)
  4. Re: Musical styles for a Barn Dance question
     (John Rogers via Callers)
  5. Re: Musical styles for a Barn Dance question
     (JD Erskine iDance via Callers)


----------------------------------------------------------------------

Message: 1
List-Post: [email protected]
Date: Sat, 17 Oct 2015 16:32:15 -0400
From: "Louie.cromartie via Callers" 
<[email protected]><mailto:[email protected]>
To: Martha Wild <[email protected]><mailto:[email protected]>
Cc: sharedweight <[email protected]><mailto:[email protected]>
Subject: Re: [Callers] Dances For Short Line
Message-ID: 
<[email protected]><mailto:[email protected]>
Content-Type: text/plain;    charset=us-ascii

Just curious. Robert doesn't recall writing (or calling) a dance called Saint 
Louis Cruise. Perhaps it was created by someone else.
-Louie (not a saint)



On Oct 16, 2015, at 12:56 AM, Martha Wild via Callers 
<[email protected]><mailto:[email protected]> wrote:

It's a good time to call dances that might need extra space along the line - 
for example, there are some dances with a ladies chain up and down as opposed 
to across the set such as Saint Louis Cruise by Robert Cromartie.


------------------------------

Message: 2
List-Post: [email protected]
Date: Sat, 17 Oct 2015 17:12:51 -0400
From: Linda Leslie via Callers 
<[email protected]><mailto:[email protected]>
To: "Louie.cromartie" 
<[email protected]><mailto:[email protected]>
Cc: sharedweight <[email protected]><mailto:[email protected]>
Subject: Re: [Callers] Dances For Short Line
Message-ID: 
<[email protected]><mailto:[email protected]>
Content-Type: text/plain; charset=windows-1252

I believe it was written by Roger Diggle?.
Linda



On Oct 17, 2015, at 4:32 PM, Louie.cromartie via Callers 
<[email protected]><mailto:[email protected]> wrote:

Just curious. Robert doesn't recall writing (or calling) a dance called Saint 
Louis Cruise. Perhaps it was created by someone else.
-Louie (not a saint)



On Oct 16, 2015, at 12:56 AM, Martha Wild via Callers 
<[email protected]><mailto:[email protected]> wrote:

It's a good time to call dances that might need extra space along the line - 
for example, there are some dances with a ladies chain up and down as opposed 
to across the set such as Saint Louis Cruise by Robert Cromartie.


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------------------------------

Message: 3
List-Post: [email protected]
Date: Sat, 17 Oct 2015 21:02:33 -0600
From: Leslie Gotfrit via Callers 
<[email protected]><mailto:[email protected]>
To: [email protected]<mailto:[email protected]>
Subject: [Callers] Musical styles for a Barn Dance question
Message-ID: 
<[email protected]><mailto:[email protected]>
Content-Type: text/plain; charset=windows-1252

I?ve been asked to call a one hour set in a rural heritage hall for a party for 
about 130 folks. There will be two sets at the end of the evening with a Blues 
Band. Yep, its a bit odd, but the organizer wants to bring all his various 
friends together and thought, rightly, that having someone organize some 
dancing would help that along. Has anyone ever called a community dance (circle 
mixers, scatter sets, longways, maybe a square) to a blues band? The band seems 
willing to work with me. Any suggestions about what to say to them so that I 
could call La Bastringue or Galopede, for example, and it would work?

Any suggestions for youtube links for a caller calling to something other than 
the usual trad tune? I could bring in a fiddler and ask the band to back the 
fiddler up. Any advice on doing it that way?

Is this so ridiculous that you?re all doubled over laughing? People will be 
there not because they are blues lovers so much as their buddy is throwing a 
party.

In any case, I?d be grateful for advice
Leslie Gotfrit



------------------------------

Message: 4
List-Post: [email protected]
Date: Sun, 18 Oct 2015 00:24:52 -0700
From: John Rogers via Callers 
<[email protected]><mailto:[email protected]>
To: Leslie Gotfrit <[email protected]><mailto:[email protected]>
Cc: "[email protected]"<mailto:[email protected]> 
<[email protected]><mailto:[email protected]>
Subject: Re: [Callers] Musical styles for a Barn Dance question
Message-ID: 
<[email protected]><mailto:[email protected]>
Content-Type: text/plain; charset=utf-8

With the right cooperation from the band it could work out just fine.  I've 
called contras to all sorts of music, including Romanian folksongs.  But, you 
do need to talk with them about the fact that every tune needs to be 32 bars 
and of uniform tempo.  (And the tempo should be an appropriate one.)  The AABB 
structure that we are used to is nice, but you can probably cope with ABCD if 
that is what they will play.   It will help if you can get a recording of them 
playing, so you can get used to timing your calls.

Sent from my iPhone



On Oct 17, 2015, at 8:02 PM, Leslie Gotfrit via Callers 
<[email protected]><mailto:[email protected]> wrote:

I?ve been asked to call a one hour set in a rural heritage hall for a party for 
about 130 folks. There will be two sets at the end of the evening with a Blues 
Band. Yep, its a bit odd, but the organizer wants to bring all his various 
friends together and thought, rightly, that having someone organize some 
dancing would help that along. Has anyone ever called a community dance (circle 
mixers, scatter sets, longways, maybe a square) to a blues band? The band seems 
willing to work with me. Any suggestions about what to say to them so that I 
could call La Bastringue or Galopede, for example, and it would work?

Any suggestions for youtube links for a caller calling to something other than 
the usual trad tune? I could bring in a fiddler and ask the band to back the 
fiddler up. Any advice on doing it that way?

Is this so ridiculous that you?re all doubled over laughing? People will be 
there not because they are blues lovers so much as their buddy is throwing a 
party.

In any case, I?d be grateful for advice
Leslie Gotfrit

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Callers mailing list
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------------------------------

Message: 5
List-Post: [email protected]
Date: Sun, 18 Oct 2015 01:12:55 -0700
From: JD Erskine iDance via Callers 
<[email protected]><mailto:[email protected]>
To: [email protected]<mailto:[email protected]>
Subject: Re: [Callers] Musical styles for a Barn Dance question
Message-ID: <[email protected]><mailto:[email protected]>
Content-Type: text/plain; charset=windows-1252; format=flowed

On 2015-10-17 2002, Leslie Gotfrit via Callers wrote:
snip



In any case, I?d be grateful for advice
Leslie Gotfrit


Try it. Maybe. <grin>

I worked a Contra series dance with my first (advertised as such) old
time band tonight. The No Jigs thing initially felt a bit unsettling,
however the musicianship and music was great. No medleys, which I'm fine
with, and a bit of joint effort looking for variety had it work out
well. I'd mentioned all the basic parameters and communications points
prior to the event and tonight we went over them before the intro
session this series hosts.

This past summer I worked with my first Bluegrass band. I'd been
concerned a bit with that as well. A "Contra", really a barn dance/ONS
on "grass" (beaten down by the sheep for a few years), worked out well.

I covered off the points John Rogers made about tempo, length with both
of them. Also starts and endings, who to talk to about what, how to
speed up/slow down (if possible.) All the usual things.

A few weeks ago I attended a free, intro night of MWSD. The point I took
away from that was that someone could really use any music if it met the
basic criteria. There were Beatles tunes/songs, pop "standards" and
such. Not much in the way of tune as many of us might generally expect
or appreciate.

A number of callers I've experienced have offered the old saw that a
dancers need for rhythm might just as easily be met by a drum stick
attached to a car wiper as a band.

If the band is not an established one, or don't have a recording, some
practises/time with several of them playing prior to the event might
prove useful. It might also be a chance to introduce some of the key points.

A friend was working with a "Celtic" band a winter ago and had to work
mostly on -- endurance, even tempo, how to start and end. Doing so
seemed to suck up quite a bit of energy and take several sessions.

So, it appears it is also good to know when to bail on an idea in some
fashion if it appears bleak. For any of these one may require more lead
time/contact time that might be expected.

Cheers, John
--
J.D. Erskine
Victoria, BC

Island Dance - Folk & Country
Vancouver Island & BC islands
dance info - site & mail list
http://members.shaw.ca/island.dance/


------------------------------

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End of Callers Digest, Vol 18, Issue 11
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