I call Dancing and the Road to Hell fairly often, and although I am careful 
about it (as I will explain), the dancers seem to enjoy it.  For starters, I 
never call it as the last dance of the evening (when the band is likely to want 
to play uptempo) and I mention to them that this is not a good time to bump the 
tempo up, just in case they were thinking of doing so.  The other  important 
thing is to tell the dancers not to worry about finishing the circle on time... 
the ladies start the chain when the music says to, and the gents keep circling 
until they get home, and by that time they'll have their partners for the 
courtesy turn.  I think it flows nicely as long as the caller sets the 
expectation the the transition to the chain is rather fluid.  (I think Mike 
Richardson's description describes this approach.)

Sent from my iPhone

> On Jul 19, 2016, at 3:20 PM, Martha Wild via Callers 
> <[email protected]> wrote:
> 
> Agreed. Once around is hard enough to get done in 8 counts sometimes.
> 
>> On Jul 19, 2016, at 2:16 PM, Chris Page via Callers 
>> <[email protected]> wrote:
>> 
>> As a general comment, I actively dislike dances that try and squeeze
>> circle left 1 & 1/4 into eight beats.
>> 
>> One dance I was in (Dancing and the Road to Hell) led to arguments on
>> the dance floor.
>> 
>> -Chris Page
>> San Diego, CA
>> 
>> On Tue, Jul 19, 2016 at 1:54 PM, via Callers
>> <[email protected]> wrote:
>>> Not sure if this has already been written, but it fits a particular spot in
>>> an upcoming program:
>>> 
>>> A1 LL FB
>>> Circle L 1.25 to face P on side
>>> 
>>> A2 DSD P, Swing P
>>> (or Balance and Swing P)
>>> 
>>> B1 LL FB
>>> Circle L .75 to face N on side
>>> 
>>> B2 DSD N, Swing N
>>> (or Balance and Swing N)
>>> 
>>> Thanks for any enlightenment!
>>> 
>>> Ann in hot, humid, Annapolis, MD
>>> 
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