Take All of the Credit, None of the Blame by Larry Elderman has a full hey with 
bonus balances that spans 24 beats, if this is similar to what you're looking 
for:

A1 N dosido 1.25 to short wavy lines (8); bal R-L (4), N alle rt 1/2, men alle 
left 1/2
A2 give P your right hand and bal (4), 1/2 (pass by right) to the other side 
(8), give P your right hand and balance
B1 1/2 hey, P swing
B2 prom; ladies chain

Sent from my iPhone

> On Mar 28, 2017, at 10:10 PM, Rich Sbardella via Callers 
> <[email protected]> wrote:
> 
> Maia,
> 
> I wrote a simple square "Hey Square, Let's Dance" that has the hey crossing 
> phrases.
> It must be called Heads, Sides, Heads, Sides to have a complete mixer square.
> 
> A1 Heads Lead Right & Circle to a Line, F&B
> A2 Ladies Chain, Start a Full Hey
> B1 Finish the Hey, Swing the one you meet
> B2 Promenade
> 
> I have only shared this with one caller, and she remarked that the hey 
> crosses phrases, and she would not use it.
> I must often use it wit singing calls, or square dance music that has strong 
> 8 beat phrasing.
> 
> Bob Isaacs "To Turn a Phrase" has the Oval crossing phrases.  I have danced 
> it when it feels good, but also when it did not.  I think the music selection 
> is more critical.
> 
> Rich Sbardella
> 
>> On Tue, Mar 28, 2017 at 7:31 PM, Maia McCormick via Callers 
>> <[email protected]> wrote:
>> Hi folks, 
>> 
>> I'm running up against a wall in a dance I'm currently writing, and it's 
>> making me wonder: what dances, if any, have a full hey that spans two 
>> sections* and really WORKS?  I feel like in general, if I danced such a 
>> dance, I would roll my eyes at the choreographer "breaking the rules", but I 
>> can also imagine delightful dances a hey spanning two phrases that justify 
>> their own existence and feel great to dance.
>> 
>> Thoughts? Dances to point me to?
>> 
>> As always, in dance,
>> Maia
>> 
>> * e.g. hey occurs during the last eight counts of B1 and the first eight of 
>> B2
>> 
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