Reminds me of a moment early in my calling career working with a band (with 
musicians who should have known better) who played a crooked tune.  

It took me 3 times through to realize what the problem was and I told the band 
we need to change tunes, NOW.  They did.  I asked them afterwards what happened 
with that and they said "It was only a little crooked".  

Really??  A little crooked??

 

Donna Hunt




 

 

-----Original Message-----
From: Bob Morgan via Callers <[email protected]>
To: Martha Wild <[email protected]>; callers <[email protected]>
Sent: Tue, May 30, 2017 5:49 pm
Subject: Re: [Callers] What to do?



Ooh tricky - you definitely need to tell the band, maybe point out the odd 
phrasing and that you'll need to see if you can find a really good specific 
dance for it to work nicely.  I'm intrigued as to what the tune is now - maybe 
the list can suggest something useful if you let us know?


Bob



On Tue, May 30, 2017 at 10:43 PM, Martha Wild <[email protected]> wrote:

Next dance was rock solid, and easier, and tune was rock solid. So they did 
redeem themselves. I have listened to a version on line and it has a WEIRD B 
part - it is nominally 16 counts but the emphasis is kind of like 6, 6 and 4, 
and it is weird beyond belief. How do I ask them to never play it for me again?




On May 30, 2017, at 2:38 PM, Bob Morgan <[email protected]> wrote:


In the moment, move right along.  Next dance needs to be rock-solid, next tune 
needs to be rock solid.  Drop the difficulty through the floor and get your 
dancers dancing again as quickly as possible. Don't dwell and let the dancers 
forget it ever happened.  


Afterwards either ask the band to play it for you again if you have time and 
see if you can work it out collectively or just say something on the lines of 
"It's a shame I just couldn't seem to get the hang of tune X, is there 
something unusual about it?" Ideally of course the band will have been paying 
attention and be suitably annoyed at themselves that they didn't get it right 
(the absolute optimal response of course would have been for the band to have 
changed tune).


Bob



On Tue, May 30, 2017 at 10:16 PM, Martha Wild via Callers 
<[email protected]> wrote:

So, a while back I was working with a band and they played a tune that was sort 
of new for them, and the A part was fine, but the B part was unusual anyway, 
and hard to know where the count was, in particular because they were 
unfamiliar with it, and I tried to count and call so the dancers could keep 
going, and it kept coming back together in the A, but falling apart in the B, 
until things snowballed and the dance completely fell apart. What is the best 
thing to do or say in a situation like that so that the band doesn’t feel too 
much as if it is their fault, and the dancers don’t feel it’s their fault? And 
yes, it’s always the caller’s fault, since I couldn’t for the life of me figure 
out what the heck was going on with that tune, but the dancers couldn’t find 
their way in it either. Anyway, back to what to do to make everyone feel a 
little better after that.
Martha

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