The dance you’re looking for is:

KING OF THE KEYBOARD
Ted Sannella (for Bob McQuillen; first danced June 18, 1989)
Triple Minor; Proper
Two Swings, Actives & Neighbor 2’s

A1) Actives Swing (end facing down); Swing Neighbor Below (face across)
A2) Forward six and back; Actives Allemande Left 1-1/4 to center of lines of 
three across
B1) Forward six and back (across); Actives Allemande Left 1-1/4 to progressed 
position, then take right hand and...
B2) Actives Turn Contra Corners

As they conclude Contra Corners, actives resist the urge to balance, but move 
right into a partner swing as the dance begins again. This dance can really 
fly. Published in Larry Jennings’ Give-and-Take.

> On Sep 24, 2018, at 5:34 PM, Judy Greenhill via Callers 
> <[email protected]> wrote:
> 
> What is the difference between a dance caller and a savings bond?
> A savings bond eventually matures…and makes money! (said with a grin, of 
> course!)
>  
> On a more serious note, I would like to get my local dance series doing 
> more-well, actually some!-triple minors. Eventually I’d like to get them to 
> at least tolerate some of the traditional dances, but the learning curve of 
> triple minor +plus unfamiliar figures + no swing has always been just too 
> steep for them to manage. I’ve gone through Zesty Contras for more modern 
> triples but so far haven’t found one that I think will work-so, what are your 
> favourite triple minors? What worked-and what didn’t-in introducing them to a 
> crowd used to at least one swing in every dance, and everybody moving most, 
> if not all of the time?
>  
> Can include contra corners as they are pretty proficient-thanks to 3 years of 
> including it every time I call!
>  
> Thanks everyone,
>  
> Judy Greenhill
> 
>  
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