Ditto all that.I tell dancers (and demonstrate) that only my ring and pinky 
fingers are wrapped around the base of the other's thumb and the rest of my 
hand is loose.  I think that helps them understand that this isn't a "power" 
move (read "arm wrestle"), but more gentle but with a good connection, flat 
wrist, imagine a pole where our hands are and we're walking around the pole.
Let's keep working on this!
 
Donna Hunt



 
 
-----Original Message-----
From: Bree Kalb via Callers <[email protected]>
To: Martha Wild <[email protected]>
Cc: Caller's discussion list <[email protected]>
Sent: Sat, May 18, 2019 8:37 am
Subject: Re: [Callers] Hand Turns & Safety

This is a long term project of mine: to teach and encourage what I call “the 
physical therapist approved” way to Allemande. I don’t seem to be making much 
progress so am delighted that others care about it, too.  
On Fri, May 17, 2019 at 8:55 PM Martha Wild via Callers 
<[email protected]> wrote:

Hear, hear! My sentiments exactly! How on earth are you supposed to “give 
weight” (in the proper way, just a tiny bit so you are both part of a unit) and 
get around each other with a flat, palm to palm contact? The only way that 
works is that people bend their wrists so that they have some purchase on the 
other person. Which hurts my now no longer flat wrist! So wrong, painfully 
wrong. Please, please, please, stop teaching a flat hand allemande. It doesn’t 
work. Curved fingers, straight wrist, the thumb is just sort of loose and not 
doing much. Thank you for bringing that up, Erik!Martha


On May 17, 2019, at 3:01 PM, Erik Hoffman via Callers 
<[email protected]> wrote:
John Sweeny below hoped we callers would teach more about hand turns and the 
like. I’ve been thinking on this for quite a while. Years ago I had a 
discussion with Brad Foster. We both lamented the loss of the allemande with 
mildly interlocking thumbs to the modern overprotective thumb against the side 
of the palm allemande. At that time I think I was still in Santa Barbara, thus 
it must have been pre 1994. I wrote an article for our dance rag called, “If 
Allemande Left, Where’d Allemande Go?” I talked about what I do when someone 
grips my hand—and I think all of us should remove that word, “grip” from our 
caller’s vocabulary… But the most important thing I discussed is:   
   - Our Wrist is Strongest When It’s Straight
   - Our Fingers are Strongest When Curved
   - Thus, however one does an allemande, it should be a hook, with curved 
fingers and a straight wrist.
 Lately I’ve seen teachers promote the straight fingers, bent wrist, and flat 
palm method. The almost always makes one person’s wrist uncomfortable. Not as 
bad as when someone draws the others hand into that 
almost-Aikido-put-them-on-the-ground position, but usually quite uncomfortable. 
Thus I hope most of us learn the curved fingers, straight wrist, no grip, and, 
no thumb clamping allemande, ECD hand turn, two hand turn type hand 
connections. ~Erik Hoffman,   Oakland, CA From: Callers 
<[email protected]> On Behalf Of John Sweeney via Callers
Sent: Friday, May 17, 2019 2:09 PM
To: 'Caller's discussion list' <[email protected]>
Subject: Re: [Callers] Name that Dance Hi Rich,              I would just call 
it a “Big Set Mixer”.  It is a slight variation of the one in the Community 
Dances Manual.  Callers just make up a 32 bar sequence that works for their 
dancers.               While it is a good example of all ages having fun 
together, I really wish callers would teach the dancers just a tiny bit about 
how to do better hand/arm turns and swings :-)             Happy dancing,       
                                     John                                       
                              John Sweeney, Dancer, England   
[email protected] 01233 625 362 & 07802 940 574                         
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs             
          http://www.contrafusion.co.uk for Dancing in Kent                     
                    http://www.modernjive.com for Modern Jive DVDs 
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