Thanks for all the good information.

Sent from my iPad

> On Jun 28, 2019, at 4:07 PM, [email protected] wrote:
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> Today's Topics:
> 
>   1. Re: Allemande (Jacob or Nancy Bloom)
>   2. Re: Allemande (JD Erskine)
>   3. Re: Allemande (John Sweeney)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Thu, 27 Jun 2019 23:33:40 -0400
> From: Jacob or Nancy Bloom <[email protected]>
> To: tom hinds <[email protected]>
> Cc: "Caller's discussion list" <[email protected]>
> Subject: Re: [Callers] Allemande
> Message-ID:
>    <cajps8ni+1r9fth1vpv9k-ehtgs+f1kcnszxrt_9hxmvhr8z...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> The Lambertville ECD site is pointing to a copy of Samuel, Ann, and Peter
> Thompson's Twenty Four Country Dances for the Year 1782, on the Vaughan
> Williams Memorial Library website.  There are a couple of things that the
> term "allemande" could mean in 1782, but the one that seems correct for
> that version of Away To The Camp would be danced as follows:
> 
> The couple link right elbows and then straighten out their right arms to
> reach their partner?s hand, while they hold left hands behind their backs.
> (For an allemand reverse they would reverse this and start by linking their
> left elbows.)  They dance forward once around each other and return to
> their places.  For the Thompsons' 1782 version of Away To The Camp I
> suggest that both Allemande and Allemande Reverse be done, that the
> footwork used be a skip-change step (which would have been called "chassee
> forward" in 1782), and that all three couples do the allemandes (although a
> case can certainly be made for only the active couple doing them.)
> 
> If you are interested in dance from that era, check out the blog that my
> wife and I have at http://www.dancehistoryalive.com/blog/  We haven't
> written an article on Away to the Camp yet, but we'll try to do one soon.
> 
> Jacob Bloom
> 
> On Wed, Jun 26, 2019 at 5:02 PM tom hinds via Callers <
> [email protected]> wrote:
> 
>> John,
>> 
>> Thanks so much for your hard work and sharing a tremendous amount of
>> information with us.
>> 
>> There?s one allemande I?d like to know more about.  It?s the one used in
>> the the dance, Away to the Camp which can be seen on the Lambertville ECD
>> site.
>> 
>> Tom
>> 
>> Sent from my iPad
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> 
> 
> -- 
> [email protected]
> http://jacobbloom.net/
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> ------------------------------
> 
> Message: 2
> Date: Thu, 27 Jun 2019 20:45:24 -0700
> From: JD Erskine <[email protected]>
> To: [email protected]
> Subject: Re: [Callers] Allemande
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset=UTF-8; format=flowed
> 
>> On 2019.06.26 1402, tom hinds via Callers wrote:
>> John,
>> 
>> Thanks so much for your hard work and sharing a tremendous amount of 
>> information with us.
>> 
>> There?s one allemande I?d like to know more about.  It?s the one used in the 
>> the dance, Away to the Camp which can be seen on the Lambertville ECD site.
>> 
>> Tom
> 
> Tom,
> 
> Reading the link to the directions as published by Thompson I suspected 
> which form of allemende it might be. If the interpretation as shown in 
> the video is it, it is.
> 
> I can't provide any history about it, however can mention it's described 
> in Jim Morrison's book, "Twenty-Four Early American Country Dances : 
> Cotillions and Reels for the Year 1976". Published by CDSS in that year.
> 
> It is in a dance from that I enjoy calling and dancing called "Doubtful 
> Shepherd." In fact it and "Away to the Camp" are remarkably similar for 
> about 3/5 of either.
> 
> From the glossary of figures in the back is this description,
> 
> "allemand: Stand side by side with partner, right shoulders together, 
> right arm extended, left arm behind back. Cross right arm inside 
> partner's arm, right hand holding partner's left. Dance clock-wise in 
> this position, usually once around (8 beats). As with most figures this 
> is more fun if you look at your partner while dancing it."
> 
> There are likely various ways to describe entering the movement. I've 
> used several with good effect. We have fun with it and after a few 
> nights with it included on a program (chiefly for that movement, oh and 
> the music! AABBB and cheery*) dancers seem comfortable with or amused by 
> it. I believe it's Kalia who calls it the "pretzel" move. <grin>
> 
> Seemingly, for the dances Morrison selected, it is danced solely 
> clockwise. In that video for "Away to the Camp" it's also 
> reversed/returned/matched by a CCW move. Based on the description for 
> "Away to the Camp" at VWML I'd not venture to say their interpretation 
> is correct or not.
> 
> Cheers, John
> 
> * music may be heard here https://www.youtube.com/watch?v=czHfhByzvkI
> -- 
> J.D. Erskine
> Victoria, BC
> 
> Island Dance - Folk & Country
> dance info - site & mail list
> Vancouver Island & BC islands
> 
> http://vecds.ca/island.dance/
> 
> 
> ------------------------------
> 
> Message: 3
> Date: Fri, 28 Jun 2019 09:45:07 +0100
> From: "John Sweeney" <[email protected]>
> To: <[email protected]>
> Subject: Re: [Callers] Allemande
> Message-ID: <[email protected]>
> Content-Type: text/plain;    charset="UTF-8"
> 
> Hi Tom,
>    As I say at the top of the page, "Allemande" is a popular word and has 
> been used to mean many completely different things. For example Wilson, in 
> 1816, used "Allemande" to mean a Dosido using three chasses, a jete and an 
> assemble (polka steps then jump)!
> 
>    https://www.regencydances.org/paper001.php has lots more about the 
> Allemandes of the period.
> 
>    The original instructions for "Away to the Camp" from Thompson in 1782  
> just say "Allemand with your partner" with no indication of what is meant by 
> "Allemand".  Away to the Camp would of course have been danced vigorously 
> with stepping in 1782.  Whoever reconstructed the dance at 
> https://www.youtube.com/watch?v=Nk5-IKvxubg choose one of  the many 
> interpretations of the word "Allemand".
> 
>    The Sottish still use that hold and call it a Tulloch Hold Swing, though 
> they use it less now as it can be awkward.  You can learn all about it at 
> https://www.scottish-country-dancing-dictionary.com/tulloch-turn-grip.html 
> and see it being danced at 
> https://www.scottish-country-dancing-dictionary.com/videoclips/tulloch-turn.html.
> 
>    I often use it in contra dances if I have a good partner.  I try to do a 
> different swing each time through the dance, and use the Tulloch Hold as one 
> of my swings if the dancer is good.
> 
>            Happy dancing,            
>                   John            
>            
> John Sweeney, Dancer, England   [email protected] 01233 625 362 & 07802 940 
> 574            
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> 
> End of Callers Digest, Vol 62, Issue 10
> ***************************************

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