Just curious to see who is going to the 2001 Detroit electronic music
festival?

http://www.electronicmusicfest.com/schedule/

on the commercialization of a once good thing.
from a friend

here's more on the story behind Carl Craig's firing:

<http://detnews.com/2001/entertainment/0105/16/a01-224860.htm>

i should also point out that Carl's statement describing his relationship
with pop culture media's carol Marvin as being "very turbulent" is
supposedly a huge understatement. i can't speak on that, but from my
perspective it appears that this was a move calculated to defame Carl and
get rid of him, on the pretense that contracts were not signed in time (a
thought which should make any of us who have promoted or performed at a
party chuckle heartily - it's usually VERY last-minute!)

so who's to say what this means for the festival's future. i've been
feeling a little uninspired about it already this year, because i know all
too well the forces at work here, and there's simply no infrastructure for
our music to support itself yet, without getting major help from those
forces. so with the departure of carl, we can expect loveable
'electronica' acts like chemical brothers and moby to replace the caliber
of talent that only a man like carl can book.

i mean, i have nothing against massive festivals like the ones they have
in europe - love parade, mayday, and what have you - and i would not be
averse to seeing something like that happen in the US. anything to further
develop the infrastructure for electronic music in the US is, in my eyes,
a good thing.

but the tragedy is that detroit is the forgotten, neglected city that
worked so hard to define its own music and keep itself down-to-earth. with
DEMF, detroit finally began, hesitantly, to reap some of the attention it
deserved, with little artistic compromise. now, however, its 15-year
history is threatened by backhanded politics and the specter of corporate
commandeering.

sadder still, DEMF is the ONLY alternative for many of us who have grown
up with techno - it's the only weekend in the US where we get to _be
ourselves_, immersed in a huge span of electronic music culture, without
having to apologize for its lack of "guitars" or "lyrics."

but outside of that, the infrastructure some of us tried so hard to
nurture, build, support and maintain has simply not happened. ask any
underground techno artist in new york, san francisco, or columbus how
often they get to play a decent techno set in front of a decent crowd, and
the answer will be: seldom. clearly, we are still very vulnerable, and the
likely corruption of DEMF in years to come (though probably inevitable),
is a stark reminder of just _how_ vulnerable we really are.

a depressing thought, to be sure. but i'm still going. all i can hope for
its that, in the wake of this year's event, there will still be ways for
us to continue building...

+
edward luna

www.ele-mental.org <http://www.ele-mental.org>



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