Unless you understand both the meaning of the written words of that time and
the cadence with which they were spoken, you won't be able to truly
understand what's going on between the lines, which is where the meat of all
Shakespeare resides.

I have my father's Yale Shakespeare (everything Shakespeare ever wrote, each
in a separate little blue hardcover volume), which does an excellent job of
explaining many things through copious footnotes.

One thing I found very rewarding was watching Ian McKellan's Richard III on
DVD while following the dialogue in the Yale Shakespeare script.  Only a few
lines were edited out, and only the most obscure words and terms were
translated into more modern terms.

McKellan's Richard III is the finest Shakespeare I've ever experienced, and
it shows that he funded it mostly himself in the quality of his performance.
They reset the play in 1930's England, and two factions begin to look
exactly like England and Nazi Germany during that time, complete with black
uniforms and flowing red standards from ceiling to floor that replace the
swastika with a boar's head.  Adoring throngs, too.  Truly a masterful work.

And the best part is that you can truly understand the real meaning behind
Richard III because of this more modern context.

Respectfully,

Adam Phillip Churvis 
President
Productivity Enhancement

> -----Original Message-----
> From: Mary Jo Sminkey [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, August 20, 2008 1:05 PM
> To: CF-Community
> Subject: Re: "Books to Read Before you Die"
> 
> >I'm still iffy about any plays being on "must read" lists.
> >
> >Nobody ever suggests reading the script for "Citizen Kane" - they say
> "go
> >watch it" so why do we constantly get told to read plays?  I LOVE
> "Hamlet"
> >but I can't argue with those that say it's hard to read... because I
> don't
> >think it was meant to be read.  It's an instruction manual for the
> actors.
> 
> I think with Shakespeare the issue is that unless you have sat down and
> read the play it can be hard to follow a live performance. The language
> is just too archaic for most of us to understand unless we've sat down
> and read through it *slowly* enough to decipher it first. Not that you
> can't still get the gist of what is going on, but it doesn't quite have
> the same impact. I'd agree with you on most plays though.
> 
> 
> 
> 
> 
> 

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