Did you see it in 3D?



On Sun, Feb 8, 2009 at 10:43 PM, Jim Davis <[email protected]> wrote:
>
> My daughter (7 years old) and I read the book recently and so we were really
> excited for the movie.
>
> We actually tried to go see last night but it was sold-out by the time we
> got there (there's not much to do in Scranton) - even the matinee today was
> nearly sold out when we got there, but we did get in.
>
> I'm glad the movie appears to be doing well because it's absolutely
> wonderful.  Everything about it: the art direction, the acting, the music,
> the set-pieces, everything.  From a technical stand-point the movie is an
> excellent reminder about how far the art of stop-motion has come in the
> years since the same director did "A Nightmare Before Christmas".  The
> characters and environments here are more fluid, more active and much more
> versatile - there are CG elements, but they are very sparsely used and never
> distract from the tactile experience of the stop-motion.
>
> The movie is quite different from Neil Gaiman's book, but in this case the
> changes (which apparently had complete approval from the author) don't
> affect the character or intensity of the story.  As usual some of my
> favorite scenes from the book (such as Caroline's memory of her father
> saving her from the hornets) never make it into the movie, but it's clear to
> see why they didn't.
>
> One main character was invented whole-cloth by screen writer/director Henry
> Selick for the movie and in general the addition works well.  I did feel
> that the ending was tarnished a bit however as this new character, rather
> than Coraline's bravery and ingenuity, was instrumental in the climatic
> scenes.  Not to wax too deeply on it, but I felt the movie's climax was very
> "male" - heavily action oriented; essentially a beat-'em-up.  The book's
> climax was more "female" - subtle and clever.
>
> In the book Coraline played a clever trick which took lots of advance
> planning and nerves of steel.  In the movie we get unorganized mayhem and
> the bashing of things with a rock.  That's not to say that the movie was
> poor at all, but it did strike me that Selick may have enjoyed the character
> he invented a bit too much and indulged him in rather shallow heroics.
>
> Other characters and scenes were altered, sometimes greatly, but almost
> always to better utilize the visual medium and the dynamics of animation.
> Many of the more disturbing scenes in the book were curtailed and many of
> the more grotesque imagery eliminated completely or inferred.  That's not to
> say that the movie was sweetened down into generic family fare - many of the
> comments I heard as we left the theater were about how "Scary" it was young
> kids and how this or that shouldn't have been included.
>
> The movie is one of the few (like Selick's other films, including
> "Nightmare" and the criminally overlooked "James and the Giant Peach") that
> isn't afraid to portray true ugliness and real, tangible dread in children's
> entertainment.  The underlying message of the story hits differently for
> each audience: kids are told that life is often better than you think it is
> while parents are admonished to pay attention to their children before
> somebody else does.
>
> My daughter loved both the book at the movie.  I might recommend that
> parents of young children read the book prior to sharing it with your
> children as some of the scenes are definitely pushing the limit.  However
> the movie is toned down quite a bit so I don't think it will bother most
> folks (unless you have a problem with old ladies with giant bosoms parading
> about in bikinis).
>
> I hope that Coraline continues to do well, if for no other reason than if it
> flops we may have to wait another dozen years before the next Henry Selick
> movie.  I rather hope this is the start of a "Pixar"-like dynasty of a
> marvelous film produced every few years.
>
> Jim Davis
>
>
> 

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