“The Italian” is the first of Ann Radcliffe’s novels that I’ve read.  I 
can certainly see why Jane Austen just couldn’t help herself and had to 
parody this style of book in “Northanger Abbey”.  The absurdly 
complicated and melodramatic plot that relies on so many ridiculous 
coincidences was too easy a target to be ignored.  The other great fault 
of the book is that the characterisations are just too black and white.  
The book does have considerable strengths though.  Radcliffe is 
exceptionally good at creating suspense and in ratchetting up the 
tension.  Her prose is pleasing, and although she’s been criticised for 
going overboard with the descriptive passages I didn’t find that a 
problem at all in “The Italian”.  It’s also worth considering that a 
reader in the 1790s would probably have found it easier to empathise 
with characters like the Marchese and his wife and their obsession with 
family honour.

 

Despite its faults “The Italian” is great entertainment.  Radcliffe’s 
feeling for landscape and the way she relates the landscape to the story 
and to the emotional states of her characters and to their situations is 
also impressive.  Of the early gothic novels I’ve read I still prefer 
Matthew Lewis’s “The Monk” but I do want to read more of Radcliffe’s novels.


Al


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