--- In cia-drugs@yahoogroups.com, Bob <[EMAIL PROTECTED]> wrote:

Thanks Bob. The excerpt below is the theory that caught my attention
for quite some time now. I somehow "feel" strong emotional resistance,
although I have to admit, that during my times in university, I often
asked myself if the diverse left-wing groups and their respective
leaders, did not offer, at least over here the easy way out of the
German dilemma. After all the socialists had fought the Nazis, and
many of them wound up in jail. So one could feel part of the former
resistance, in times when it wasn't too dangerous anymore. Many of
them felt like stone-age socialists though, with their respective bibles. 

Herder brings us back into the Enlightenment vs Romantics debate,
which reminds me of a private exchange with Bakednedeisen a/k/a Ian.
(the dangerously irrational roots of Surrealism) And straight into the
"Art and/as Religion" roots. But the dominance of art is what Irving
(?) Kristol in his essay "Counterculture" [once on AEI, but gone by
now, it seems], considers the ultimate evil of the counterculture.
Probably for economical reasons, since only the select few make money
with it. The rest is a problem for society. Hmm? Where to start, with
Matthew Lasar's book. Pacifica is at the center of the US
counterculture, no doubt.

-b

http://www.change-links.org/Storming.html

Storming Pacifica: Revising my view of Pacifica History

Clare Spark, Ph.D.,

former Program Director, KPFK (2-81-8-82)

Draft, July 22, 1999

...

Reading the rhetoric dispensed by the tireless and dedicated
protesters, one would think that we are witnessing a revitalized
democratic social movement. No one, to my knowledge, has pointed out
that the intellectual assumptions that have governed public
broadcasting, the counter-culture, much of the New Left, and Left-wing
academia alike, especially since the late 1960s, are part of the
legacy of the European Far Right. Sadly, the Pacifica dissidents share
the same discourse as the managers they deplore. I refer to
multiculturalism, a.k.a. cultural relativism as promulgated by the
Populist-Progressive movement of conservative reform that reacted to
the liberal, proto-socialist nineteenth century. "Cultural diversity"
as promulgated by today's "progressive" Left signifies the völkisch or
"communitarian" or primitivist inheritance of J.G. Von Herder and
German Romanticism generally, the blood-and-soil ideology that
attempted to roll back the Scientific Revolution and its offspring:
the Enlightenment, the rise of the secular state, individual civil
rights (equality before the law), "careers open to the talents," and
popular sovereignty, creations of radical liberals. These rejected
libertarian ideals were associated with "rootless cosmopolitans" as
their rooted enemies called them. The rooted cosmopolitans, like
fascist ideologues of the 1930s, wrote "history" as the struggle
between Good and Evil. Their obsessive interest was in "social
cohesion" and "equilibrium." Money/"bourgeois society"/(later, the
Bomb) was the root of all social and environmental disintegration or
"disruption"; by contrast, the good King of the High Middle Ages held
"the (local) community" and Nature together in the Great Chain of
Being. As multiculturalists, the rooted cosmopolitans emphasize
"inclusion" and "identity" conceived in the same static terms as
medievalists and Renaissance humanists defending hierarchy and order
against the incursions of science and other democratizing forces such
as mass literacy. Rootless cosmopolitans, it was argued, not only had
no identities themselves, they were the creators of mob society as
their insidious materialist doctrines separated ordinary people from
their families of origin, breaking what Edmund Burke would call
narrative continuity with the (idealized, orderly) past.







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