Thanks Matthew.
Very clear.
It's the base for my understanding.

Ciao
Raffaella

On Sat, 2006-09-30 at 11:07 -0400, [EMAIL PROTECTED] wrote: 
> On Sat, 30 Sep 2006, Raffaella Traniello wrote:
> > On Internet I learned that we can hear from silence (0 Db) up to over
> > 140 Db (a bomb).
> > So why to set the automation range from -80 to 6? Are these number
> > referred to Db?
> 
> The dB scale actually measures *ratios*, or differences in loudness, not
> absolute levels.  So it's not really meaningful to say "The level of this
> signal is 10dB"; all you can say is that "This signal is 10dB above that
> one."
> 
> Nonetheless, people do use it to measure absolute levels, and they do that
> by choosing a specific reference to be 0dB and then describing where
> everything else is in relation to that reference.
> 
> For actual sounds in the physical world, the usual zero point is chosen as
> the softest sound a typical human can hear.  That's 0dB (more correctly
> 0dBA - the "A" indicates that we're using this scale).  Louder sounds are
> like 20dBA for whispering, 60dBA for typical spoken conversation, or your
> example of 140dBA for a bomb going off.  Note that 0dBA is *not* truly
> "silence"; it's just the softest sound audible to human hearing.
> 
> But electrical signals are usually measured on a scale where 0dB is taken
> to be the loudest sound the system can reproduce accurately.  In normal
> use, typical signal levels will be slightly below that, with peaks going
> slightly above.  You will get distortion as you go above 0dB signal
> levels.  On level meters there's a red zone on the scale to warn you about
> that.  Depending on the user's volume setting, 0dB on the electrical level
> meter might be 60dBA or 80dBA or 20dBA or whatever.
> 
> One issue with digital is that in most cases the top of the power scale is
> a hard limit - once your signal's 16-bit sample values get to +32768 you
> simply *cannot* go to +32769.  As a result, the "clipping" distortion you
> get when you drive a digital system past its maximum tends to sound
> especially annoying, and you have to be really careful not to do that too
> often.  Analog systems tend to degrade more gracefully, so that you can
> push them above 0dB on the level meter with audible, but not annoying,
> distortion.  A similar effect is part of why some people fetishize
> vacuum-tube analog amplifiers: the way they distort at excessive signal
> levels is claimed to be better-sounding than the way transistor-based
> amplifiers do.
> 
> Electrical equipment displays a phenomenon called the "noise floor", which
> means that there is *always* some amount of noise measurable even when
> there is no signal.  You can never have true silence.  The noise floor
> might be 80 or 100dB below the 0dB mark on your level meter; it depends
> very much on the quality of the equipment, with better equipment having a
> lower noise floor.  With 16-bit linear digital samples, there are
> theoretical reasons that the noise floor can't be any lower than about
> -98dB.  So it makes no sense to have volumes adjustable below that.  In
> Cinelerra, there is a configuration setting for how low you want the level
> meters to go.
> 
> > What numbers have I to write if I want silence when the white fade line
> > is at the bottom margin of the track and a slightly too loud sound when
> > the line is at the top margin?
> 
> The defaults should be like that already.


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