On 15/11/12 02:59, Herman Robak wrote:
På Wed, 14 Nov 2012 16:16:52 +0100, skrev Tom Judge <[email protected]>:
> If my understanding of things is as I just mentioned then the use of
> the Audio Offset is a waste of time and one should simply edit a file
> with Audio Offset = 0.000
Not quite...
> and only use the Nudge facility to synchronise video/audio.
Yes.
> Am I misunderstanding things?
As far as I have understood, Audio Offset is for _calibration_,
and nudge is for _correction_.
Thanks for the response, Herman.
Yep. As I mentioned to Einar, I wonder why it afflicts Cinelerra when
all my tv programs, videos are all in perfect sync - or, at least, so
close to being perfect that any difference is not noticeable.
Calibration is per computer/installation, and correction is
per project/format/track/clip.
Now, if only there was a way to reliably calibrate audio/video
synchronisation on a computer! I'd like a cheap gizmo, let's
call it a Synchrophone, that has a simple microphone and a fast
rate low-res sensor (one monochrome pixel might do).
I like this idea! :-) Like a clapperboard but only in the form of software.
You sound like someone who knows something so can you explain this,
please :-) .
In the Cinelerra manual, page 23, instructions are given on how to
calculate the audio offset. The part which really has me confused is this:
"Play the timeline from 0 and watch to see if the gradient effect starts
exactly when the audio starts."
When exactly does the audio start - is it when the audio level meter
appears on the right-hand side of the Compositor window or when the
actual *sound* is heard (to match the appearance of the synthesiser)?
BC
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