Hi all:

Just wanted to introduce myself. A few of you may remember me from a few 
years back on the LuteNet (which I am no longer a member of due to other 
commitments). I have played lute and cittern for a number of years. 
Additionally (and more importantly), I host the Renaissance Cittern Page, a 
resource that I hope is still serving the web community. Our address has 
changed, but you can now stop by for a visit at 
http://www.theaterofmusic.com/cittern. There is information on strings, 
makers, music, history, and art.

I had considered for some time creating a cittern list associated with the 
site, but seriously didn't think there would be enough interest to keep it 
going. I am glad to see that someone has created this list and that it is 
alive and well. Already some of the discussion here has given me some ideas 
for ways to expand the current cittern page.

Regarding the post on easier cittern music, there are a few pieces on the 
cittern page under "sound and music files". In general, the Playford 
pieces, unfortunately, are either so full of mistakes or so little flushed 
out that they don't make for great solo pieces, IMO. However, I have been 
working on transcribing some of the pieces from Dd.14.24, most of which are 
consort pieces but a few of which are some easier solos. Because of my work 
schedule and other commitments (my wife and I have a baby on the way), work 
on much of this has slowed. I will try and get some of these posted in the 
next month, if possible.

Lastly, I wanted to give people an open invitation to visit the cittern 
page and give some critical feedback. My work on it has nearly ground to a 
halt in the last few years, but I would like to continue having it as a 
resource for others. I would also welcome anyone who would like to 
volunteer to work on a bit of it or would like to contribute anything to 
it. The page is meant as a page for the public -- I only hope it can be 
supported by them as well. The cittern really is a great instrument (2nd? 
to the lute?), and I hope that through communication and collaboration we 
can at least help to give it its rightful place in music.

Sorry for creating such a long message. I look forward in participating in 
this discussion list, albeit probably on the less frequent side.

Best regards,
Andrew





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