Stuart Walsh wrote:

> The lower strings of lutes, Renaissance and Baroque,  are doubled!

They are on the renaissance lute and the "regular" baroque lute. But 
there are also theorbo style instruments and I believe those are the 
ones David had in mind as the inspiration for the English guittar's 
single bass strings. It is a very plausible theory.

There is another possibility though: I understand the English guittar is 
believed to have been based on some German cittern. Unless I'm mistaken, 
German renaissance citterns weren't different from renaissance citterns 
elsewhere in Europe in that they generally had nine strings in four 
courses (2-3-2-2). Later German citterns still have nine strings but 
instead of that triple course in the middle there's an extra single bass 
string. Could this simply have started as a quick-and-dirty modification 
of old instruments to suit new tastes? Of course, once the combination 
of single and double courses was established adding one more sinle 
string wasn't such a big step.

With two very plausible explanations to choose from we may never know 
exactly how things happened but at least it's no wonder *that* it happened.


Frank Nordberg
http://www.musicaviva.com



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