''I wonder how long it will be before someone propounds the theory that 
the Bandoneon was invented by the Argentinians and the bouzouki by the 
Irish...'' 
Tee - hee !  That's a good one, that is !   :-)   

   
[EMAIL PROTECTED] wrote: Folks,

Compared with the banjo, the Portuguese guitarra is relatively harmless in 
this respect!

The opinions, evidence, argumentation and generation of heat rather than 
light that centre around the banjo are compacted by the sensitive nature of the 
relationships between Black and White in North America.

Did the Aftrican slaves bring the banjo with them when thy were were abducted 
to the New World? Or did they develop the banjo there on the basis of their 
recollections of African instruments? Would the modern banjo have come into 
being without the contribution of Anglo-American luthiers? Did the Whites (who 
now appear to "own" the banjo) steal it from the Blacks, or did the Blacks lose 
interest in it and relinquish their part its further development? What of the 
zither-banjo in England - is it a further development from an African root, or 
did its inception spring from what was already a North American instrument?  

At least with England and Portugal, we're talking about two Western European 
countries that were both colonial powers, and had a long history of 
friendship, with little rivalry between them in other areas.

I wonder how long it will be before someone propounds the theory that the 
Bandoneon was invented by the Argentinians and the bouzouki by the Irish... 

The chauvinistic heresy that the autoharp was an American invention has at 
least been refuted (it was the Germans - again!). 

I think this points to a frequent source of error: just because a particular 
instrument is prominent in the music of a certain country, and not in others, 
doesn't mean that the instrument originated there!  In the case of the 
autoharp, the development of the modern form and its music took place in the 
adopted 
country, whereas in its homeland it fell into disuse. Is there a parallel with 
the guitarra here?

Cheers,
John D. 


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