> From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> Date: Thu, 26 Oct 2006 11:00:13 -0400
> To: [email protected]
> Subject: [CITTERN] recent threads
> 
> Howdy Folks,
> 
> I'm on the road at the moment and don't have regular access to the internet
> so I haven't been able to keep up with the
> recent threads - I haven't even been able to read everything yet!
> 
> Two things I wanted to say:
> 
> RE Ron's (beautiful) cittern: Has anyone mentioned fake labels?

I implied it, but then I don't know if that particular maker would have been
worth the effort, a coveted name or something. The fact that the instrument
sat for 25 years unsold in a California music store might indicate that
others had their suspicions too? I don't know. The instrument is good
looking, overall, I agree. It's just the date that puzzles me.

> A few
> years in Evora we saw several "ancient" citterns,
> many of which were 19th and 20th century fakes, and many of them were
> similar to the instruments shown in one of
> the early links supplied in the thread (not very helpful, I know...).  I
> have to agree that the binding on Ron's cittern is
> rather bright, but I'm not at all sure that that is decisive for dating it.


I have in the last few days seen some early A-type Gibson mandolins
(c.1905-10) with bright white top binding, only half the thickness of Ron's,
but bright white on the outer edge nonetheless. I've yet to see solid,
thick, all white (verses a sandwich of strips of alternating material or
colors, white/black/white or herringbone or something) on any other early
instrument, and I've also yet to see such heavy all white binding
surrounding _both_ top and back (on such a supposed early instrument).  The
sides decoration (the viny scrolly inlay) still looks out of place to me,
and the end pins still look odd too.

I have now seen many Waldzithers (at least) with a similar spikey-pointy
sun-ray rosette inlay, but they could be from the 20's (sellers seem think
think _all_ Waldzithers are c.1900)

BTW, I stumbled upon your PDF re English Guitars in Colonial America the
other day. Very interesting, nice work. I also found the recorded incidents
of bass and tenor viol instructors therein illuminating.

Thanks
Roger
 



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