Damien DELGROSSI wrote:
>
> Hi Stuart,
>
> This is not a romantic story, there are a lot of texts and oral 
> tradition which mentionned a real corsican tradition of cetara. I do 
> not have time now to explain because it is extremely long, but the 
> only thing which can be "romantic" is the tuning. The cetara is open 
> tuning in G oftenly now since the seventies, but it is hypothetic. All 
> the rest is absolutely true. I will be more exaustive next time, if 
> you questions about cetara please ask me,
>
> Bye
>
> Damien.
>
>


I'd be interested to know anything about the cetara - especially 
anything known about it from before 1900.

E.g.: how was it strung and tuned? Was it played with a plectrum or the 
fingers? Does it have a written repertoire? Or was it more like the 
waldzither (a 'folk' instrument played melodically, playing standard tunes?)

Stuart
>
>
>
>     > Message du 06/12/06 22:48
>     > De : "Stuart Walsh"
>     > A : "Doc Rossi" , [email protected]
>     > Copie à :
>     > Objet : [CITTERN] Re: Cetera Corse
>     >
>     > Doc Rossi wrote:
>     > > On Dec 6, 2006, at 7:41 PM, Stuart Walsh wrote:
>     > >
>     > >
>     > >> One of the daftest things I've come across is this, on the
>     bandurria:
>     > >>
>     > >> http://www.trioassai.com/bandufaqe.html#historia
>     > >>
>     > >
>     > > Wow, I just can't deal with the literal translation at this
>     time. I
>     > > don't know whether Francisco Garcia Ruiz is on this list or not -
>     > > I'll write to him and see if he can enlighten us further on the
>     > > bandurria and other matters.
>     > >
>     > >
>     > >> Is there really a Corsican cittern tradition? Or is it more of an
>     > >> imaginary, romantic history?
>     > >>
>     > >
>     > > There are plenty of woodcuts featuring Corsican cittern
>     players from
>     > > the 1800s, and of course the tablature of Stefano Allegrini,
>     1720.
>     > > Then there's this from James Boswell's Account of Corsica
>     (1765?),
>     > > chapter 3:
>     > >
>     > > They are few of them who do not play upon the citra, an old
>     Moorish
>     > > instrument, wich they are pleased to think the ancient
>     cythara. It
>     > > has a sweet and romantic sound, and many of their airs are
>     tender and
>     > > beautiful.
>     > > --
>     > >
>     > > T
>     >
>     > Very interesting. OK; there's a long cittern tradition in Corsica!
>     >
>     > I've googled Stefano Allegrini (Stefan Allegrini cittern; Stefano
>     > Allegrini tablature etc) and get nothing. Is this tablature
>     discussed
>     > somewhere?
>     >
>     > So Boswell actually used the word 'citra'? I wonder if he had in
>     mind
>     > the EG that he would have known from back home or was just
>     translating
>     > the local name?
>     >
>     > It's interesting that he calls it an old Moorish instrument. I
>     think
>     > Roland Ferrari mentions the 'guitar moresque' somewhere in his
>     remarks
>     > on the Corsican cittern. There could be a website devoted to the
>     claims
>     > that have been made about that (I think it is true to say) wholly
>     > mysterious instrument.
>     >
>     > But Corrette in 1772 says: 'Le cistre est aussi ancien que le
>     Luth, il
>     > est trés commun en Turquie et en Allemagne...' God knows why.
>     >
>     > Stuart
>     >
>     >
>     >
>     >
>     >
>     >
>     >
>     > To get on or off this list see list information at
>     > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>     >
>     
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