In einer eMail vom 06.10.2007 15:59:00 Westeuropaische Sommerzeit schreibt  
[EMAIL PROTECTED]:

Having  an open string tuned a fourth above the root doesn't, for me at 
least, saeem  to give a tuning any particular advantage. 


 
Kevin,
 
The classic 5-string banjo tuning of gCGBD is basically a chord of G major  
with the bass string a fourth above (or a fifth below) the tonic. The most  
comfortable keys in this tuning are C, F and G in that order. C minor is  just 
as 
easy as C major. 
The tonality of the "easy" keys is determined by the note on the open bass  
string, not by the triad formed by the higher strings.
 
The same tuning, but without the high "g" 5th string, is used on plectrum  
banjos in jazz bands, and those guys can play chords happily in any key,  
including the "flat" keys beloved of all wind players. 
 
Bluegrass banjo-pickers prefer the tuning gDGBD, which is a real open-chord  
tuning. I think they're happier in the keys of D and G, though I've never 
tried  it myself. I use the banjo a lot for accompaniment, and I sing most 
songs 
in C,  and the few that I can't I can manage in G, which is not so comfortable 
for solo  playing, but has easy chords.
 
At present, I'm working up a few Elizabethan and Jacobean English tunes on  
the gCGBD banjo. They work very well. If the guitar is the heir to the music of 
 the lute, then the classic banjo is definitely the heir to the Renaissance  
cittern!   
 
Cheers,
John D.




   

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