Hi all,

One thing I forgot to add in my previous message is that the other 
thing I have tried to do of late is to play music away from the page 
as much as possible. Since I have two small children running around 
the house now (one is 3 years old, the other just turned 1), I don't 
have a lot of opportunity to sit down with music in front of me (and 
not have it snatched, ripped, or pages turned when I'm not ready!). 
Instead (since they are still too small to reach the instrument if I 
play while standing!) I spend time playing tunes out of my head, or 
at least trying to "hear" a tune I'm familiar with aurally and 
recreate it on my instrument.

I have found that this has greatly assisted my memorization skills in 
that I am now equating "sounds" with "locations" without regard for 
notes on a page. It becomes the synthesis of body and mind! This is, 
of course, what all good musicians do (instinctively or otherwise) 
and is also the basis of improvisation. I use this technique along 
with the hearing/visualizing I mentioned earlier.

Of late I have been sight reading the tablature to get a sense of 
what the piece is supposed to sound like. Once I have the "piece" 
committed to memory as "sound," I spend the rest of the time seeing 
if I can figure out how to recreate that sound on the instrument 
until it is memorized. In some instances this has resulted in me 
fingering phrases differently than the notation (which, once I've 
discovered this, allows me to look back and see *why* it may have 
been written the way it was) or playing runs or other phrases in the 
spirit of the piece rather than what is written (the "making music" 
not "making early music" that Kevin referred to earlier).

I could not agree with Guy more about the importance of sight reading 
skills. Tablature is a near-perfect medium for sight reading; 
unfortunately, I feel too many (myself, for one!) have probably 
fallen into the trap of not being able to escape the reading!

Two more cents for a total of four from me,
Andrew



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