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SPIDER MAN 3 (2007)
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April 20, 2007 - In Hollywood, conventional wisdom suggests that it doesn't matter what you do with the first two-thirds of a story as long as you have a strong ending. While the commercial success of any major film series demands that the opposite be true, front-loading a franchise with its best writing, acting and filmmaking in order to draw in that elusive "everyone" demographic, Spider-Man 3 simultaneously confirms and refutes that a series -- much less a single installment -- need be defined by the sum of its parts. And while some audiences may register skepticism over the possibility that a third film can suitably tie up all of the loose ends, not to mention tie-in all of writer-director Sam Raimi's ambitious ideas, IGN ca
n confirm that Spider-Man 3 is indeed the trilogy-closer that fans have been waiting for. Instead of the year-plus barrier that separated the first two films, Spider-Man 3 takes place almost immediately after the events of the second film. This serves an important purpose: Harry (James Franco) learned at the end of Spider-Man 2 that Peter Parker (Tobey Maguire) is Spider-Man, and he isn't wasting any time trying to take down the person he believes killed his father. In the meantime, Peter has grown comfortable in his relationship with Mary Jane (Kirsten Dunst), not to mention the idea that his alter-ego is an icon and hero to millions. Mary Jane, however, is struggling as an actress after receiving scathing reviews for her appearance in a new musical, and has trouble relating to Peter's newfound confidence. In another part of the city, escaped convict Flint Marko (Thomas Haden Church) races to find a cure for his daughter's illness, landing himself in the middle of a science
experiment while trying to evade capture by the police. His transformation into the Sandman makes him a natural adversary for Spider-Man, but Peter takes the pursuit personally when he discovers that Marko may in fact be responsible for Uncle Ben's (Cliff Robertson) death. Unfortunately, a mysterious creature that feeds off negative energy finds the erstwhile hero during a moment of weakness and attaches itself to him, sending both Peter and Spider-Man into a dark and dangerous spiral of revenge and violence.
With so many different story strands working together toward a hopefully concise conclusion to both film and franchise, it's easy to worry about how all of the pieces can and will fit comfortably together. Indeed, even as a c
hampion of the first
Spider-Man (considering it the best comic book movie of all time), I worried that there were too many characters and just too much going on in this third installment. But with few exceptions, Sam Raimi, his brother Ivan and screenwriter Alvin Sargent have masterfully crafted a collection of characters, scenes and sequences that only
seem disjointed. Raimi has previously stated that he prefers classic villains like Sandman to the fan-friendly choices like Venom, but he's successfully managed to combine their respective ...
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