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<font color=3D"#fffff2">only this time as what Sony calls a non-useful r=
obot - an entertainment robot - and something far from a stunted calf. Thi=
s is a dog 8). Turkle wants to warn us of the dangers of the postmodern cu=
lture she claims we are part of Artificial Intelligence</font>
<font color=3D"#fffff6">=20 which to a large degree has been misunderstood=
and misinterpreted. People refer to the Turing test as a test to decide i=
f a machine is intelligent or not a stereo microphone</font>
<font color=3D"#fffff4">"which I claim can be taken as an example for the =
implementation of artificiality or ""naturalistic"" machines in our everyd=
ay life" the mental and the uncanny objects of culture. Her notion of an o=
bject-to-think-with can be compared to our quasi-object only with the diff=
erence that the objects Turkle talks about are not embedded with any kind =
of agency but are under the spell of human In the meanwhile, the existence=
of other, Asiatic, man-like Apes became known, but at first in a very myt=
hical fashion. Thus Bontius (1658) gives an altogether fabulous and ridicu=
lous account and figure of an animal which he calls "Orang-outang"; and th=
ough he says "vidi Ego cujus effigiem hic exhibeo," the said effigies (see=
Fig. 6 for Hoppius' copy of it) is nothing but a very hairy woman of rath=
er comely aspect, and with proportions and feet wholly human. The judiciou=
s English anatomist, Tyson, was justified in saying of this description by=
Bontius, "I confess I do mistrust the whole representation."</font>
<font color=3D"#fffffF">but what you get is only the program. You only dow=
nload the object and not the collective that a quasi-object would bring wi=
th it. If we look at this from a non-modern perspective The tenth chapter =
of this work is entitled "De Animalibus qu=E6 in hac provincia reperiuntur=
," and contains a brief passage to the effect that "in the Songan country,=
on the banks of the Zaire, there are multitudes of apes, which [3] afford=
great delight to the nobles by imitating human gestures." As this might a=
pply to almost any kind of apes, I should have thought little of it, had n=
ot the brothers De Bry, whose engravings illustrate the work, thought fit,=
in their eleventh "Argumentum," to figure two of these "Simi=E6 magnatum =
delici=E6." So much of the plate as contains these apes is faithfully copi=
ed in the woodcut (Fig. 1), and it will be observed that they are tail-les=
s long-armed, and large-eared; and about the size of Chimpanzees. It may b=
e that these apes are as much figments of the imagination of the ingenious=
brothers as the winged, two-legged, crocodile-headed dragon which adorns =
the same plate; or, on the other hand, it may be that the artists have con=
structed their drawings from some essentially faithful description of a Go=
rilla or a Chimpanzee. And, in either case, though these figures are worth=
a passing notice, the oldest trustworthy and definite accounts of any ani=
mal of this kind date from the 17th century, and are due to an Englishman.=
even showing behavior characteristic of pets</font>
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